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The Dissonance of Democracy
Although the role of shared speech in political action has received much theoretical attention, too little thought has focused on the practice of listening in political interaction, according to Susan Bickford. Even in a formally democratic polity, political action occurs in a context of conflict and inequality; thus, the shared speech of citizenship differs significantly from the conversations of friendly associates. Bickford suggests that democratic politics requires a particular quality of attention, one not based on care or friendship. Analyzing specifically political listening is central to the development of democratic theory, she contends, and to envisioning democratic practices for c...
Performing the Sacred: Christian Representation and the Arts
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
The End of the World in Medieval Thought and Spirituality
This essay collection studies the Apocalypse and the end of the world, as these themes occupied the minds of biblical scholars, theologians, and ordinary people in Antiquity, the Middle Ages, and Early Modernity. It opens with an innovative series of studies on “Gendering the Apocalypse,” devoted to the texts and contexts of the apocalyptic through the lens of gender. A second section of essays studies the more traditional problem of “Apocalyptic Theory and Exegesis,” with a focus on authors such as Augustine of Hippo and Joachim of Fiore. A final series of essays extends the thematic scope to “The Eschaton in Political, Liturgical, and Literary Contexts.” In these essays, scholars of history, theology, and literature create a dialogue that considers how fear of the end of the world, among the most pervasive emotions in human experience, underlies a great part of Western cultural production.
Inarticulate Society
Thomas Schachtman, author of Skyscraper Dreams, approaches the muddy, intolerant world of political conversation through the belief that Americans have lost the ability to respond and argue differing points of view without coming swiftly to blows. Considering the rising tide of political violence in America and the hateful and intolerant speech that appears to incite it, Thomas Schachtman argues that political debates are in danger of moving from the Senate chamber to the streets, taking the social stability needed for a working democracy with it. Blaming this decline on the jargon used by specialists in the professions and academia in order to distinguish superiority over common citizens, Schachtman proposes a concrete, multifaceted program for rehabilitating eloquence through the constructive use of media in combination with political and educational reform.
Melancholy and the Secular Mind in Spanish Golden Age Literature
"Employing a broad historical perspective that forces the reevaluation of historical and literary commonplaces, Soufas artfully illuminates the complex responses of Spanish Golden Age authors to major shifts in European intellectual outlook during the late sixteenth and early seventeenth century."--Publishers website.
The Invention of the Sequel
This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. The author explores the rivalries between apocryphal and authorized sequelists that forged modern notions of authorship and authorial property. The book also defines ...
The Guitar of God
Until recently, Spanish literary historiography has virtually ignored hundreds of women who wrote between 1500 and 1700. Most of them wrote to record, defend, and disseminate their spiritual visions, for despite the general disempowerment of Spanish women, female visionaries enjoyed considerable authority. This book recovers and examines the visionary experiences of Mother Juana de la Cruz, the most famous of these women during her lifetime and for two centuries afterwards. Born of peasant stock, she became abbess of a Franciscan convent and a mystic who was visited not only by Cardinal Cisneros, but by Emperor Charles V himself. Ronald E. Surtz places Mother Juana's visions in the religious and social context of the age and discusses such pertinent biographical elements as the nun's own androgyny. His focus is on the questions of gender, power, and authority, so pertinent to our own age. The Guitar of God will be of particular interest to scholars and students of late medieval Spanish culture, religion, and history, and women's studies.
