Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Poetry and Poetics of Olga Sedakova
Olga Sedakova stands out among contemporary Russian poets for the integrity, erudition, intellectual force, and moral courage of her writing. After years of flourishing quietly in the late Soviet underground, she has increasingly brought her considered voice into public debates to speak out for freedom of belief and for those who have been treated unjustly. This volume, the first collection of scholarly essays to treat her work in English, assesses her contributions as a poet and as a thinker, presenting far-reaching accounts of broad themes and patterns of thought across her writings as well as close readings of individual texts. Essayists from Russia, Ukraine, Germany, Italy, and the United States show how Sedakova has contributed to ongoing aesthetic and cultural debates. Like Sedakova's own work, the volume affirms the capacity of words to convey meaning and to change our understanding of life itself. The volume also includes dozens of elegant new translations of Sedakova's poems.
In Praise of Poetry
At an early age, Olga Sedakova began writing poetry and, by the 1970s, had joined up with other members of Russia's underground second culture' to create a vibrant literary movement - one that was at odds with the political powers that be. This conflict prevented Sedakova's books from being published in the U.S.S.R., they were only available as hand written books. But now Sedakova has published 27 volumes of verse and prose. This is a unique introduction to her work, bringing together a memoir-essay and two poetic works.'
Old Songs
“Olga Sedakova is a writer of global significance. . .the publishing of this collection is a welcome stage in the reception of her exceptional genius in the West.” So writes Rowan Williams in his foreword to this translation of Old Songs. Born in Moscow in 1949, Olga Sedakova emerged as a leading writer of the late Soviet period. Since 2014, she has been an outspoken critic of Russia’s war on Ukraine. Her writing bears witness to the values of generosity, attention, and non-violence. The poems in Old Songs construct a world shaped by these values, forming a lyric sequence infused with folk wisdom and anchored in moral courage. It is a world brought into being by song, the kind passed d...
Freedom to Believe
Olga Sedakova, one of Russia's great living poets, is also a deep and brilliant thinker. This collection of essays, her first in English, demonstrates that the legacy of such poet-essayists as Osip Mandelstam and Joseph Brodsky lives on in Russian culture. Andrew Wachtel, Bertha and Max Dressler Professon of the Humanities Northwestern University --
Poems and Elegies
Table of contents
Old Songs
The poems in Olga Sedakova's Old Songs construct a world shaped by generosity, attention, and non-violence, a world brought into being by songs handed down through generations.
Olga Sedakova and the Art of Meeting
This dissertation examines the elegiac verse of Olga Sedakova (b. 1949) vis-a-vis the Russian elegiac tradition. One of the foremost poets of post-Soviet Russia, Sedakova is often studied as a religious poet, a philosophical poet, or a contemporary "woman poet." Yet, despite the preponderance of poems designated as elegies in her oeuvre, one label Sedakova continues to elude is "elegiac poet." Employing John Frow's idea of genre as a "constellation" of thematic, rhetorical, and formal features (rather than a specific mode or theme), I argue that the elegy constitutes the most dynamic generic territory in Sedakova's poetic corpus, wherein the poet delineates her poetic identity, grapples with...
An Anthology of Contemporary Russian Women Poets
Valentina Polukhina is professor emeritus at Keele University. She specializes in modern Russian poetry and is the author of several major studies of Joseph Brodsky and editor of bilingual collections of the poetry of Olga Sedakova, Dmitry Prigov, and Evegeny Rein. Daniel Weissbort is cofounder, along with Ted Hughes, and former editor of Modern Poetry in Translation, professor emeritus at the University of Iowa, and honorary professor at the Centre for Translation and Comparative Cultural Studies at the University of Warwick. Co-editor of Twentieth-Century Russian Poetry (Iowa 1992), he is also the translator of more than a dozen books, editor of numerous anthologies, and author of many collections of his own poetry. His forthcoming books include a historical reader on translation theory, a book on Ted Hughes and translation, and an edited collection of selected translations of Hughes.
Russian Postmodernism
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.
Synchronized Swimming
From novelty tricks in swim classes, through the Aquacades and movies, to the highly complex Olympic competitions--this history of synchronized swimming tells how the sport grew, examines the role the United States has played in its worldwide development, and describes the status of synchronized swimming in world sporting events today. Among the topics covered are competition development, development around the United States, rules and technical changes, and leadership (from volunteers to a National Office). Four appendices list major award winners, U.S. National Champions, the results of major international competitions, and U.S. participation in international events. The work boasts photographs from the first trial national competition in 1942 to the World Championships of 2003, as well as a full bibliography.
