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Market and resource guide for Alaska, Idaho, Montana, Oregon, and Washington.
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Publisher Fact Sheet This extraordinary collection of eyewitness accounts by Cambodian survivors of Pol Pot's genocidal Khmer Rouge regime in the 1970s offers searing testimony to an era of brutality, brainwashing, betrayals, starvation, & gruesome executions.
The work of Western women artists, past and present, is collected here in a stunning array of forms: fiction, poetry, autobiography, essay, journal and letter writing, sculpture, painting, graphics, photography, ceramics, needlework, music, and dance. The unique experience of women artists from diverse national, ethnic, racial, and economic backgrounds is explored from their own viewpoints, as are the relationships between women's social condition and women's art.
In this collection of his stories and plays, Charles Deemer writes of characters typically struggling with changing values in an uncertain world: Todd in The Half-Life Conspiracy, a playwright who comes to the premiere of his one-act play only to discover that it is being directed by his ex-wife, who left him for another woman (the very subject of his bitter one-act play). Thomas in Famililly, who braces to tell his traditional, dying father that he will be raising his son not with his wife but with his male soul mate. Lester in The Man Who Shot Elvis, who many years after the fact is still dealing with a sense of loss from when black rhythm-n-blues turned into white rock-n-roll. Included is...
Reports for 1980-19 also include the Annual report of the National Council on the Arts.