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Otto Binder
Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary chronicles the career of Otto Binder, from pulp magazine author to writer of Supergirl, Captain Marvel, and Superman comics. As the originator of the first sentient robot in literature ("I, Robot," published in Amazing Stories in 1939 and predating Isaac Asimov's collection of the same name), Binder's effect on science fiction was profound. Within the world of comic books, he created or co-created much of the Superman universe, including Smallville; Krypto, Superboy's dog; Supergirl; and the villain Braniac. Binder is also credited with writing many of the first "Bizarro" storylines for DC Comics, as well as for bei...
Otto Binder
Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary chronicles the career of Otto Binder, from pulp magazine author to writer of Supergirl, Captain Marvel, and Superman comics. As the originator of the first sentient robot in literature (''''I, Robot,'''' published in Amazing Stories in 1939 and predating Isaac Asimov's collection of the same name), Binder's effect on science fiction was profound. Within the world of comic books, he created or co-created much of the Superman universe, including Smallville; Krypto, Superboy's dog; Supergirl; and the villain Braniac. Binder is also credited with writing many of the first ''''Bizarro'''' storylines for DC Comics, as wel...
The Unwanted
The Mastermen called it a "census," but it was so much more. If its citizens proved worthy, the Earth would join the interstellar confederation and reap the benefits of advanced alien technology, food, medicine, and educational resources the likes of which could scarcely be imagined. But first, there was the question of race ... Uncannily perceptive and prescient when it was written in 1953, EC writer Otto Binder's The Unwanted went unsold for more than a decade until he finally gave it to a fanzine publisher who promptly got out of the fanzine business -- and so it languished, unread, in a yellowing file folder for decades. Never before published and now unearthed, The Unwanted is Binder's ...
Words of Wonder
None
Rorschach
It’s been 35 years since Ozymandias dropped a giant interdimensional squid on New York City, killing thousands and destroying the public’s trust in heroes once and for all. And since that time, one figure in a fedora, mask, and trench coat has become a divisive cultural icon. So, what does it mean when Rorschach reappears as a gunman trying to assassinate a candidate running against President Redford? Who is the man behind the mask, and why is he acting this way? Now it’s up to one detective to uncover the identity of this would-be killer and expose a web of conspiracies that will change the world forever. Collects Rorschach #1-12.
Superman Vs Brainiac
The world's most famous superhero, Superman's adventures protecting Metropolis have thrilled readers worldwide for over sixty years! Now in this fantastic collection, see him do battle with one of his most fearsome foes: the evil and calculating alien Brainiac! Collecting their first and most important battles across the ages, from the 1960s to present, this volume includes the classic tale in which Superman discovers the existence of Kandor, the lost city of Krypton forever trapped inside a bottle, and much more! Written and illustrated by a host of star talent including Jerry Siegel, Otto Binder and Jerry Ordway, this page-turning collection includes material never-previously collected, and is absolutely not to be missed!
Rorschach (2020-) #7
Wil Myerson might have been the creator of Pontius Pirate, the most popular comic in history, before he put on the Rorschach mask and tried to kill a would-be president, but he’s not the only artist who worked on the character. Other artists fell under Wil’s influence, and now all these years later, his more renowned acolyte has fallen sway to Laura, the #1 Myerson superfan. Is it possible she influenced another comic book legend into playing vigilante? The key here is that tape the detective is trying to decipher, the one with the séance that has been haunting him since the very first issue! All this and a cameo by Dr. Manhattan to boot!
Honoured in Places
Ever since the Canadian prairies were first settled and the Mounties marched west to establish and maintain law and order, the names of individual officers have left their mark on the national landscape. Their long tradition has been honoured in many of the place names of Canada, especially in the West. In this collection, over 250 of the NWMP, RNWMP and RCMP members who died while on duty, or who enjoyed long or extraordinary careers, are remembered. Other place names are connected to a Mountie-related event or were named by a pioneering Mountie in honour of some significant occurrence. Authors William "Bill" Hulgaard and John "Jack" White, both retired Mounties, extended their research across Canada to compile the information for Honoured in Places.
All New, All Different?
Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the b...
Horror Comics in Black and White
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
