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Civilizaci�n Digital y Pedagog�as Emergentes a partir de las Nuevas Tecnolog�as
Aunque los medios de comunicación y las nuevas tecnologías no se crearon con finalidades específicas para el ámbito de la enseñanza, es incuestionable la capacidad formativa que poseen; la admiración que ejercen en la sociedad es abrumadora, y su influencia en jóvenes y adolescentes es, si cabe, mayor. En este contexto, la difusión de conocimiento se encuentra integrada a una evolución frenética, y a menudo se ve condicionada por cambios de rumbo relacionados con multitud de informaciones y de nuevos conocimientos, que provienen de las tecnologías de la información y de la comunicación, principalmente.
From Cuba with Love
From Cuba with Love deals with love, sexuality, and politics in contemporary Cuba. In this beautiful narrative, Megan Daigle explores the role of women in Cuban political culture by examining the rise of economies of sex, romance, and money since the early 1990s. Daigle draws attention to the violence experienced by young women suspected of involvement with foreigners at the hands of a moralistic state, an opportunistic police force, and even their own families and partners. Investigating the lived realities of the Cuban women (and some men) who date tourists and offering a unique perspective on the surrounding debates, From Cuba with Love raises issues about women’s bodies–what they can or should do and, equally, what can be done to them. Daigle’s provocative perspective will make readers question how race and politics in Cuba are tied to women and sex, and the ways in which political power acts directly on the bodies of individuals through law, policing, institutional programs, and social norms.
Theatre of the Oppressed
''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton
Beyond the Aesthetic and the Anti-Aesthetic
Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fourth volume in the series, Beyond the Aesthetic and the Anti-Aesthetic, focuses on questions revolving around the concepts of the aesthetic, the anti-aesthetic, and the political. The book is about the fact that now, almost thirty years after Hal Foster defined the anti-aesthetic, there is still no viable alternative to the dichotomy between ...
The Birth of the Palestinian Refugee Problem, 1947-1949
This book is the first full-length study of the birth of the Palestinian refugee problem. Based on recently declassified Israeli, British and American state and party political papers and on hitherto untapped private papers, it traces the stages of the 1947-9 exodus against the backdrop of the first Arab-Israeli war and analyses the varied causes of the flight. The Jewish and Arab decision-making involved, on national and local levels, military and political, is described and explained, as is the crystallisation of Israel's decision to bar a refugee repatriation. The subsequent fate of the abandoned Arab villages, lands and urban neighbourhoods is examined. The study looks at the international context of the war and the exodus, and describes the political battle over the refugees' fate, which effectively ended with the deadlock at Lausanne in summer 1949. Throughout the book attempts to describe what happened rather than what successive generations of Israeli and Arab propagandists have said happened, and to explain the motives of the protagonists.
Artificial Hells
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the developme...
Salvation
Andres Serrano is one of the most celebrated representatives of international contemporary photography and art. This title presents a look at his images of a new look Israel.
Living as Form
'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.
