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Poetry. Edited by Nick Makoha. An Anthology of the Best New British and Irish Poets of 2019-2020 as selected by Nick Makoha.
Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State,...
No detailed description available for "Franklin's Passage".
The Victorian Archbishop of Trebizond, George Errington (1804-1886) was one of the most prominent figures of nineteenth-century English Roman Catholicism. He was involved in the resurgence of the English Catholic Church, and would have achieved the highest offices himself had not a dispute between him and Cardinal Wiseman led to his fall from favour in the eyes of Propaganda Fide. He has come to be regarded as the leader of an "Old Catholic" party as the struggle continued for dominance in the period of consolidation following the restoration of the hierarchy in 1850. An intimate of Newman, Errington maintained a large correspondence which covers almost every church controversy of his lifeti...
A Kingdom of Love is a lyrical interrogation of the place of the sacred and profane in a demythologised world from poet and Anglican parish priest, Rachel Mann.
From James DeMonaco, the writer/director of The Purge film franchise, comes the provocative and terrifying last stand of a lone outpost of women in the wake of a deadly pandemic. Allie Hilts was still in high school when a fire at a top-secret research facility released an air-borne pathogen that quickly spread to every male on the planet, killing most. Allie witnessed every man she ever knew be consumed by fearsome symptoms: scorching fevers and internal bleeding, madness and uncontrollable violence. The world crumbled around her. No man was spared, and the few survivors were irrevocably changed. They became disturbingly strong, aggressive, and ferocious. Feral. Three years later, Allie has...
Here the long edge / of town Low / winter fog / ... My breath / my offering We are / our bodies burning Firmly rooted in fire-haunted landscapes that are at once psychological, emotional, and fiercely real, Patrick Errington’s first collection traces the brittle boundaries between presence and absence, keeping and killing, cruelty and tenderness. In these poems human voices whisper through the natural world – a hand turns on a lamp to extinguish the stars; stones outline a sleeping form; a black eye is a storm cloud. Errington stokes vivid images, formal grace, and subtle humour into the flickers of life that hold fast against unforgiving terrain. Here language functions like a controlled burn, one that could at any moment preserve, perfect, or reduce to ash. Urgent, resonant to the bone, the swailing burns to the ember-edge of grief, memory, and control to find the wildness, wilderness, and wonder that remain.
Rediscovering the British World is one part of an ongoing attempt to approach British Imperial history from a different viewpoint, placing the colonies of settlement at the centre. Editors Phillip Buckner and Douglas Francis have included nineteen essays from expert scholars in the field, which cover a broad range of cultural, social, and intellectual topics in British imperial history from the mid-nineteenth to the mid-twentieth century. The essays focus on the history of Britain and the Empire, with considerable emphasis on the self-governing dominions of Canada, South Africa, Australia, and New Zealand. They attempt to show the centrality of the Empire in the history of the nations create...
The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.
Without fear or favour, How Good is Scott Morrison? examines the trials and tribulations of our 30th prime minister. Investigating Morrison's unlikely rise to the liberal leadership and his miracle electoral win, van Onselen and Errington put his leadership under the spotlight. Covering Morrison's disastrous management of the catastrophic bushfire season that was highlighted by the extraordinary statement, 'I don't hold the hose, mate,' and the decision to holiday while the country burned, How Good is Scott Morrison? shows his resolve and the redemption the government's response to the pandemic brought him. Right now, Scott Morrison seems unassailable and sure to win the next election, but what exactly is his vision for Australia? A pragmatist rather than an ideologue, he is a deeply Pentecostal religious man but he doesn't wear his faith as a badge of honour. So what does he really believe in? When the history of this period is written, Morrison will certainly be seen as an election winner but will he be viewed as having had the courage and vision to change Australia for the better, or the worse?