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These Hands
Poetry. Bilingual Edition. Translated from the Danish by Thom Satterlee. THESE HANDS is an extraordinary bilingual poetry collection from renowned Danish poet Per Aage Brandt. The uniqueness of this work comes from the uniqueness of the person himself: unlike many other professor-poets, Brandt's academic discipline is not literature but semiotics, a field in which he has authored a dozen books and roughly two hundred and fifty articles. Many of the poems in this collection read like thought-experiments as if the cognitive scientist made poetry his laboratory and theories his poems. But Brandt's work is also rich with humor and humanity. His poetry has a sense of playfulness and a sense of a personhood someone behind the poem who doesn't take himself too seriously, even as he addresses profoundly serious subjects such as language, consciousness, and existence, mixing comedy with critique. In this exuberant and sharp-minded collection, Brandt re-sets the limits of language and creates a new kind of verse, prompting one Danish critic to remark that his work "bears more resemblance to a brainwave than a book of poems."
Morphologies of Meaning
Developed from structural semantics and Peircean philosophy through the morphogenetic views made possible by catastrophe theory, this volume engages in a constructive dialogue with cognitive linguistics, challenged by aesthetics and phenomenology. The resulting "cognitive semiotics" restates and discusses a wide range of fundamental problems related to contemporary research on perception, communication and subjectivity. A basic assumption of the 17 studies gathered in this book is that sign structures, however cultural, are grounded in natural patterns of both perceptual and pragmatic cognition, and that these patterns can be understood as dynamic schemes connecting forces and forms in stable ways that account for human actions, passions and the organisation of thought. Per Aage Brandt is the author of "L'Analyse Phrastique", "La Charpente Modale du Sens" and "Dynamiques du Sens".
Cognitive Semiotics
Interrogating the relatively new field of cognitive semiotics, this book explores shared issues in cognitive science and semiotics. Building on research from recent decades, Per Aage Brandt investigates the potential of a cognitive semiotic approach to enhance our understanding of language, thought and semiosis in general. Introducing a critical, non-standard approach both to cognitive science and to semiotics, this book discusses the understanding of meaning and mind through four major dimensions; mental architecture, mental spaces, discourse coherence and eco-organization. Encompassing a rich variety of topics and debates, Cognitive Semiotics outlines several bridges between 'continental' and 'analytic' thinking in the study of semantics, pragmatics, discourse and the philosophy of language and mind.
The Music of Meaning
This book is about meaning in music, poetry, and language; it is about signs: symbols, icons, diagrams, and more. It concerns art and how we communicate, how we make sense to each other—including the concept of nonsense. It is about metaphor and irony. It embraces a vast human universe of signification and some of its cognitive machines of meaning-making: a complex and diverse unfolding of the expressive human mind. These 24 essays study different aspects of the way we signify, present recent research and models of such processes, and discuss the—often intricate—problems of understanding the relations between expression and thought. In evolution, music may have preceded the language of words, and music remains indirectly present in every temporal unfolding of bodily, affective, playful, meaningful activity. We are immersed in meaning and have to ‘listen’ to it since it constitutes the semiotic reality structuring the world as we experience it.
Paris School Semiotics: Theory
It has often been claimed that the aim of semiotics is to establish a general theory of systems of signification. However, as Jean-Claude Coquet notes in a recent collection of essays, what distinguishes one school of semiotics from another is the initial definition given of sign. If, for certain semioticians, the sign is first of all an observable phenomenon, for the Paris School it is first of all a construct and this point of departure has crucial theoretical and practical consequences. The essays appearing in these two volumes are representative of recent work carried out by members of this semiotic school. Essays in Volume I study problems more closely related to theoretical issues, while Volume II focuses more specifically on various fields of application.
The Computer as Medium
Many industrial training applications, educational applications, and of course information applications such as databases and hypermedia are all attempts to communicate, and yet we really don't know much about the computer as a communicative medium. Bringing together a collection of essays presenting such diverse theoretical approaches as general semiotics, linguistics, communication theory, literary and art criticism, sociology, and history, the editors set out to establish and elaborate the role of computer systems as a sign technology. The volume is divided into three main parts, each focused on a different field of semiotic inquiry. "Computer-Based Signs" discusses the special nature of ...
Language in Life, and a Life in Language: Jacob Mey, a Festschrift
This is a collection of invited papers that honours Professor Jacob Mey on the occasion of his eightieth birthday. Professor Mey is, and has for a long time been, at once one of the most respected, enterprising, industrious, scholarly and, now, avuncular members of the numerous linguistics communities in which he has worked. He has made, over a distinguished working life, significant contributions to all of the sub-disciplines of linguistics, from phonetics, through phonology, morphology, syntax, semantics and especially pragmatics. He has sought to make connections between these sub-disciplines and broader areas of thought. These connections have resulted in ground breaking advances in, for example, Japanese sociolinguistics, pragmatics and artificial intelligence, Marxist linguistics, pragmatics and therapy, pragmatics and machine-processed information, gender and language, literary pragmatics and societal pragmatics. The collection ends with an in-depth discussion between Professor Mey and one of the editors in which Professor Mey speaks fully and frankly about his life in language and language in life.
Stepmotherland
Stepmotherland is a tour-de-force debut collection about coming of age, coming out, and coming to America. Winner of the Andrés Montoya Poetry Prize, Stepmotherland, Darrel Alejandro Holnes’s first full-length collection, is filled with poems that chronicle and question identity, family, and allegiance. This Central American love song is in constant motion as it takes us on a lyrical and sometimes narrative journey from Panamá to the USA and beyond. The driving force behind Holnes’s work is a pursuit for a new home, and as he searches, he takes the reader on a wild ride through the most pressing political issues of our time and the most intimate and transformative personal experiences ...
Gasoline
Heribert Juliá and Humbert Herrera are opposites: the one can no longer paint, and doesn't much care, the other wants to create the sculpture to end all sculptures, the film of all films, the exhibit of all exhibitions. One couldn't care less about his mistress, the other swoops in. A fun-house mirror through which Monzó examines the creative process.
Necessary Nonsense
Explores the cognitive possibilities of nonsense, literary and philosophical, from Kant to Carroll, from examinations of Asperger's to the waking state.
