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The Phantom - the complete newspaper dailies
Volume 1: 1936-1937 by Lee Falk and Ray Moore
The Phantom Unmasked
Before Superman, before Batman, there was—the Phantom! Making its debut as an American newspaper comic strip in 1936, The Phantom was the forerunner of the comic-book superhero genre that today animates vast billion-dollar franchises spanning print, film, television, video games, and licensed merchandise. But you’ve probably never heard of it—you probably think Superman inaugurated the genre. That’s because, despite its American origins, The Phantom comic strip has enjoyed far greater popularity with international audiences, most notably in Australia, Sweden, and India, where it has appeared in newspapers, magazines, and comic books. The paradox of the character’s relative obscurit...
The Phantom
The first Volume of Hermes Press' critically acclaimed series of Phantom reprints quickly sold out after its initial release last year. To celebrate the release of The Complete Phantom Sundays, Hermes Press is re-issuing Volume 1! Spanning the first two years of the strips, The Phantom: The Complete Newspaper Dailies Volume 1 (1936-1937) presents the origin of the Phantom as well as two additional continuities of the strip. Included in this deluxe reprint are comprehensive historic essays by comic historian Ron Goulart and Phantom expert Ed Rhoades, plus loads of documentary material.
The Phantom Image
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.
Phantom of the Opera
It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he hasblack holes for eyes. Everybody is afraid of the Phantom - the singers, the dancers, the directors, the stage workers . . . But who has actually seen him?
Phantom Limb
Phantom limb pain is one of the most intractable and merciless pains ever known—a pain that haunts appendages that do not physically exist, often persisting with uncanny realness long after fleshy limbs have been traumatically, surgically, or congenitally lost. The very existence and “naturalness” of this pain has been instrumental in modern science’s ability to create prosthetic technologies that many feel have transformative, self-actualizing, and even transcendent power. In Phantom Limb, Cassandra S. Crawford critically examines phantom limb pain and its relationship to prosthetic innovation, tracing the major shifts in knowledge of the causes and characteristics of the phenomenon...
The Black Phantom
Leo Edward Miller (1887-1952) was a North American collector and author. He travelled around South America from 1910 to 1917 (Guyana, Venezuela, Colombia, Peru, Bolivia, Argentina, Paraguay and Brazil) including on the Roosevelt Brazilian Expedition. His works include: In the Wilds of South America (1918), The Black Phantom (1922) and Adrift on the Amazon (1923).
Phantom Menace or Looming Danger?
A call for a new way to assess bioweapon threats—recognizing the importance of the sociopolitical context of technological threats. The horrifying terrorist attacks on September 11, 2001, and the anthrax strikes that soon followed gave the United States new reason to fear unconventional enemies and atypical weapons. These fears have prompted extensive research, study, and planning within the U.S. military, intelligence, and policy communities regarding potential attacks involving biological weapons. In Phantom Menace or Looming Danger?, Kathleen M. Vogel argues for a major shift in how analysts assess bioweapons threats. She calls for an increased focus on the social and political context ...
The Phantom Lover
Mickey and Esther first meet under less-than-ideal circumstances, but soon find themselves caught up in the rush of blooming love. Will their burgeoning romance be torn asunder by pride and dishonesty? Read Ruby Ayres' The Phantom Lover to find out.
The Phantom of the Ego
The Phantom of the Ego is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Batai...
