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Tīrthayātrā
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Behind Kṛṣṇa’s Smile
Behind Kṛṣṇa's Smile offers a wholly original perspective on the celebrated Bhagavadgītā, or "Song of God." The book investigates Kṛṣṇa's hint of laughter (prahasann iva) in Bhagavadgītā 2.10, which is generally understood to be the turning point of the famous poem, signaling the outpouring of his grace and teaching to Arjuna. Remarkably, it is from this verse that Śaṅkara and other leading theologians begin to write their commentaries. In addition to exploring the momentousness of Kṛṣṇa's hint of laughter and its impact on the poem's central teachings, Behind Kṛṣṇa's Smile provides a crucial interpretation of Kṛṣṇa's prahasann iva in the Vedānta commentarial tradition, from Śaṅkara up to modern times. The book also considers the meanings of the stock phrase prahasann iva in the larger epic framework of the Mahābhārata and Rāmāyaṇa. Moreover, the book offers the first comprehensive review of the significance of Kṛṣṇa's smile in Kṛṣṇaite iconography and literature, demonstrating that there is a unified canon bringing together the literary and performative dimensions of Kṛṣṇa’s hint of laughter.
Who Invented Hinduism
Who Invented Hinduism? presents ten masterly essays on the history of religious movements and ideologies in India by the eminent scholar of religious studies, David N. Lorenzen. Stretching from a discussion on the role of religion, skin colour and language in distinguishing between the Aryas and the Dasas, to a study of the ways in which contact between Hindus, on the one hand, and Muslims and Christians, on the other, changed the nature of the Hindu religion, the volume asks two principal questions: how did the religion of the Hindus affect the course of Indian history and what sort of an impact did the events of Indian history have on the Hindu religion. The essays cast a critical eye on s...
Grammatica hindī
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A dialogue between a christian an a Hindu about religion
The “Dialogue between and Christian and a Hindu about Religion” (Javābasvāla aika krīstīān aura aika hīṃdu ke bīca mo imāna ke upara) was written in about 1751 by Giuseppe Maria da Gargnano with help from his Capuchin friend and colleague, Cassiano da Macerata, and from an unnamed Brahmin teacher. This teacher apparently taught Giuseppe Maria to read Hindustani and some Sanskrit, instructed him in the basics of Hindu religion, and corrected the Hindustani text of the “Dialogue”. A copy of the Hindustani text was first presented to the raja of Bettiah in 1751. Subsequently, an undetermined number of hand-made copies were distributed among persons in the Bettiah area. A copy ...
Feeding the City
Every day in Mumbai 5,000 dabbawalas (literally translated as "those who carry boxes") distribute a staggering 200,000 home-cooked lunchboxes to the city's workers and students. Giving employment and status to thousands of largely illiterate villagers from Mumbai's hinterland, this co-operative has been in operation since the late nineteenth century. It provides one of the most efficient delivery networks in the world: only one lunch in six million goes astray. Feeding the City is an ethnographic study of the fascinating inner workings of Mumbai's dabbawalas. Cultural anthropologist Sara Roncaglia explains how they cater to the various dietary requirements of a diverse and increasingly global city, where the preparation and consumption of food is pervaded with religious and cultural significance. Developing the idea of "gastrosemantics" - a language with which to discuss the broader implications of cooking and eating - Roncaglia's study helps us to rethink our relationship to food at a local and global level.
Crazy for Wisdom
Best known today as the author of the Life of Milarepa, Tsangnyön Heruka (1452–1507) was one of the most influential mad yogins of Tibet. Stefan Larsson’s Crazy for Wisdom, describes Tsangnyön Heruka's life, based on narratives by his disciples, and examines an unexpected aspect of fifteenth-century Tibetan Buddhist practice.
Unearthing Himalayan Treasures
The Festschrift celebrates Franz-Karl Ehrhard, Professor of Tibetan and Buddhist Studies at the Ludwig Maximilian University of Munich from 2003 to 2019. Offered on the occasion of his 65th birthday, it comprises 26 papers by friends and colleagues to honour his outstanding and far-reaching contributions to the field of Tibetan Studies. Mirroring Franz-Karl Ehrhard's research interests, the papers centre on the religious and literary traditions of Tibet and the Himalayas, including sacred geography, religious history, philosophy, and studies in textual production and transmission.
Vedānta, Bhakti, and Their Early Modern Sources
This volume considers the Prabodhacandrodaya Nāṭaka (c. 1760 CE), an allegorical drama composed by Brajvāsīdās in Brajbhāṣā. It contributes to the study of vernacular nāṭakas with its first complete English translation. Moreover, the critical analysis shows that the foundational Sanskrit texts for Vedānta and those for Bhakti play a part in the Prabodhacandrodaya Nāṭaka's philosophical and religious edifice. At the same time, the investigation demonstrates that Brajvāsīdās expresses several philosophical ideas by adaptively reusing the Rāmcaritmānas by Tulsīdās (c. 1574 CE). Brajvāsīdās composes a dohā by combining one line of his invention with a line from the M...
Invention of Tradition and Syncretism in Contemporary Religions
This book explores manifestations of creativity in the religious domain. Specifically, the contributions focus on the nexus of the sacred and the creative, and the mechanisms of syncretism and (re)invention of tradition by which this manifestations occur. The text is divided into two sections. In the first, empirical cases of spirituality characterized by syncretistic processes are highlighted; in the second, examples which can be traced back to forms of the (re)invention of tradition are examined. The authors document possible forms of adaptations and religious enculturation. In the second, the authors demonstrate that spiritual traditions, whether ancient or historically fictitious, are suitable for reframing in the context of critical interpretative frameworks related to cultural expectations which challenge them and call their continuity into question.
