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Dedicated To You
Only Human Daniel James, the sole heir to his mother’s business, Gloria Financial Group, leaves his hometown of Sydney, New South Wales, Australia and moves to the smaller city of Adelaide where he enrols into University of South Australia. There he meets a girl, unlike any other. At first sight, she avoids him, because he is rich and all his annoying fan girls are exceedingly loud and selfish. As time goes on, the girl feels drawn to Daniel. When they officially start dating, one obstacle just happens to get in the way... Memorable Quotes: - “We are renting this apartment. We never seem to have enough money because the prices just keep rising. People just want to make money, they do not...
Empire's Twilight
The rise of the Mongol empire transformed world history. Its collapse in the mid-fourteenth century had equally profound consequences. Four themes dominate this study of the late Mongol empire in Northeast Asia during this chaotic era: the need for a regional perspective encompassing all states and ethnic groups in the area; the process and consequences of pan-Asian integration under the Mongols; the tendency for individual and family interests to trump those of dynasty, country, or linguistic affiliation; and finally, the need to see Koryo Korea as part of the wider Mongol empire. Northeast Asia was an important part of the Mongol empire, and developments there are fundamental to understand...
Localizing Learning
As the first intellectual history of Song, Yuan, and Ming China written from a local perspective, Localizing Learning shows how literati learning in Wuzhou came to encompass examination studies, Neo-Confucian moral philosophy, historical and Classical scholarship, encyclopedic learnedness, and literary writing, and traces how debates over the relative value of moral cultivation, cultural accomplishment, and political service unfolded locally. The book is set in one locality, Wuzhou (later Jinhua), a prefecture in China’s Zhejiang province, from the twelfth through the sixteenth century. Its main actors are literati of the Song, Yuan, and Ming, who created a local tradition of learning as a...
Encyclopedia of Traditional Chinese Medicines - Molecular Structures, Pharmacological Activities, Natural Sources and Applications
This set of six volumes provides a systematic and standardized description of 23,033 chemical components isolated from 6,926 medicinal plants, collected from 5,535 books/articles published in Chinese and international journals. A chemical structure with stereo-chemistry bonds is provided for each chemical component, in addition to conventional information, such as Chinese and English names, physical and chemical properties. It includes a name list of medicinal plants from which the chemical component was isolated. Furthermore, abundant pharmacological data for nearly 8,000 chemical components are presented, including experimental method, experimental animal, cell type, quantitative data, as well as control compound data. The seven indexes allow for complete cross-indexing. Regardless whether one searches for the molecular formula of a compound, the pharmacological activity of a compound, or the English name of a plant, the information in the book can be retrieved in multiple ways.
Other Others
In literary and cultural studies today, the term "the Other" appears to have largely lost its moorings in the primacy of the intersubjective encounter, focusing rather on the social construction of the Other. For Emmanuel Levinas, in contrast, the Other is precisely that which eludes construction and categorization. In a study that ranges from literature of ancient China, Greece, and Israel to modern Egypt, Italy, West Africa, and America, Steven Shankman tests Levinas's ideas by reading literary works from outside the Judeo-Christian orbit for figurations equivalent to Levinas's notion of the Other. He also places ethics at the center of intercultural—or, in his words, "transcultural"—comparative literature. In contemporary literary and cultural studies, it is often assumed that culture has the last word. However, as Levinas insists—and as Shankman argues throughout this book—it is ethics that is the "presupposition of all Culture," that is situated "before Culture."
Unruly Gods
The first study in English to offer a systematic introduction to the Chinese pantheon of divinities. It challenges received wisdom about Chinese popular religion, which, until now, presented all Chinese deities as mere functionaries and bureaucrats. The essays in this volume eloquently document the existence of other metaphors that allowed Chinese gods to challenge the traditional power structures and traditional mores of Chinese society. The authors draw on a variety of disciplines and methodologies to throw light on various aspects of the Chinese supernatural. The gallery of gods and goddesses surveyed demonstrates that these deities did not reflect China's socio-political order but rather expressed and negotiated tensions within it. In addition to reflecting the existing order, Chinese gods shaped it, transformed it, and compensated for it, and, as such, their work offers fresh perspectives on the relations between divinity and society in China.
Common Chinese Materia Medica
This fifth volume contains 253 species of medicinal plants from 25 families, which are commonly used in Chinese medicine. The most important species are Stachyurus himalaicus of Stachyuraceae; Liquidambar formosana, Semiliquidambar cathayensis of Hamamelidaceae; Broussonetia papyrifera, Cudrania cochinchinensis, Cudrania tricuspidata, Ficus carica, Morus alba of Moraceae; Boehmeria nivea and Pouzolzia zeylanica of Urticaceae; Cannabis sativa of Cannabaceae; Ilex asprella, Ilex cornuta, Ilex latifolia, Ilex pubescens of Aquifoliaceae; Euonymus alatus, Tripterygium wilfordii of Celastraceae; Taxillus chinensis, Viscum liquidambaricola of Loranthaceae; Santalum album of Santalaceae; Berchemia l...
The Eternal Present of the Past
This study draws together various elements in late Ming culture – illustration, theater, literature – and examines their interrelation in the context of the publication of drama. It examines a late Ming conception of the stage as a mystical space in which the past was literally reborn within the present. This temporal conflation allowed the past to serve as a vigorous and immediate moral example and was considered a hugely important mechanism by which the continuity of the Confucian tradition could be upheld. By using theatrical conventions of stage arrangement, acting gesture, and frontal address, drama illustration recreated the mystical character of the stage within the pages of the book, and thus set the conflation of past and present on a broader footing.
