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Rotten Days in Late Summer
Shortlisted for the Forward Prize for Best First Collection 'Impressive . . . tender, unflinching' Guardian 'This is poetry in the grand tradition of annihiliation by desire. It's what the young are always learning, and the old, if they are wise, never forget' Anne Boyer, author of The Undying 'Brilliant . . . heralds the arrival of a frank and vital poetic voice' Sharlene Teo, author of Ponti 'Frank and alert . . . an important voice in British poetry' Eley Williams, author of The Liar's Dictionary 'Direct and heart-breaking' Alex Dimitrov, author of Love and Other Poems 'A rare thing . . . razor-sharp' Julia Copus, author of This Rare Spirit: A Life of Charlotte Mew In Rotten Days in Late ...
Strange Relations
'Remarkable... entertaining... deft... moving... refreshing' Daily Telegraph 'Textured literary portraits of the masculine mind and body' Raymond Antrobus, author of The Perseverance 'Impeccably well researched and hugely enjoyable' Nicole Flattery, author of Nothing Special In October 1960, James Baldwin and John Cheever spoke on a panel together at San Francisco State College. The troubled state of American society was under discussion, which Baldwin incisively diagnosed as a 'failure of the masculine sensibility'. Strange Relations explores this crisis in mid-century masculinity and the lives and works of four bisexual writers who fought to express and embody alternate possibilities. Buil...
Three Poems
Hannah Sullivan's debut collection is a revelation - three poems of startling intensity, ambition and length. Though each poem stands apart, their inventive and looping encounters make for a compelling unity. 'You, Very Young in New York' is a study of romantic possibility and disillusion in a great American city. 'Repeat Until Time' begins with a move to California and unfolds into a philosophical essay on repetition. 'The Sandpit After Rain' explores the birth of a child and the loss of a father with exacting clarity. Readers will experience her work with the same exhilaration as they might the great modernising poems of Eliot and Pound, but with the unique perspective of a brilliant new female voice.
Stranger, Baby
Emily Berry's Dear Boy was described as a 'blazing debut', winning the Forward Prize for Best First Collection in 2013. Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'
This Rare Spirit
The first comprehensive biography of this undervalued writer, who was considered 'far and away the best living woman poet' in her day. 'An exquisitely told account of the life of a half-forgotten London poet whose work was admired by Hardy, Sassoon and Virginia Woolf. Julia Copus does her justice at last.' Claire Tomalin ' This Rare Spirit is a classic - the biography of Mew we have all been waiting for.' Fiona Benson The British poet Charlotte Mew (1869-1928) was regarded as one of the best poets of her age by fellow writers, including Virginia Woolf, Siegfried Sasson, Walter de la Mare and Marianne Moore. She has since been neglected, but her star is beginning to rise again, all the more s...
Love and Other Poems
'It fizzes like a just-opened bottle of soda. It sprints like the Beatles running through a train station. It talks a mile a minute like a person swept away in the druggy lunacy of a serious crush... There have been moments when, for me, its effervescence has failed to rhyme with the despondency of these days. But far more often, Love and Other Poems has felt like a long-awaited remedy' New York Times Love and Other Poems is full of praise for the world we live in. Taking time as an overarching structure - specifically, the twelve months of the year - Alex Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is 'our best invention'. Dimitrov never resists joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
How Not To Be a Boy
RULES FOR BEING A MAN Don't Cry; Love Sport; Play Rough; Drink Beer; Don't Talk About Feelings But Robert Webb has been wondering for some time now: are those rules actually any use? To anyone? Looking back over his life, from schoolboy crushes (on girls and boys) to discovering the power of making people laugh (in the Cambridge Footlights with David Mitchell), and from losing his beloved mother to becoming a husband and father, Robert Webb considers the absurd expectations boys and men have thrust upon them at every stage of life. Hilarious and heartbreaking, How Not To Be a Boy explores the relationships that made Robert who he is as a man, the lessons we learn as sons and daughters, and the understanding that sometimes you aren't the Luke Skywalker of your life - you're actually Darth Vader.
The Secret Keeper
A cloth bag containing ten copies of the title.
After the Formalities
"A Poetry Book Society recommendation." -- front cover.
bird of winter
'Hiller offers extraordinary resilience and moments of immense, liberatory tenderness. [...] This is a harrowing book, yes, but ultimately, with its invitation to “billow forth the wrecks we hold”, with its emphasis on resistance and joy, it is a staggeringly beautiful piece of life-affirming work.' Stephanie Sy-Quia, The Poetry Review
