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“A veteran manager of groups like the Yardbirds, Napier-Bell was just about ready to retire when Wham! fell into his lap...those interested in what goes on backstage and behind the scenes will find Napier-Bell's stories worthwhile and entertaining.” —Publishers Weekly A gossipy, rollicking music memoir about bringing Wham! to communist China in the ‘80’s—now, in paperback London, 1983. Pop impresario Simon Napier-Bell has had enough. Tired of managing groups, and sick of the constant grief at home, with his two ex-boyfriends bickering and bleeding him dry, he’s ready to give up the music business for good. But before he gets the chance, he falls in love with a new passion: a dy...
Writing Time shows how serial literature based in journals and anthologies shaped the awareness of time at a transformative moment in the European literary and political landscapes. Sean Franzel explores how German-speaking authors and editors "write time" both by writing about time and by mapping time itself through specific literary formats. Through case studies of such writers as F. J. Bertuch, K. A. Böttinger, J. W. Goethe, Ludwig Börne, and Heinrich Heine, Franzel analyzes how serial writing predicated on open-ended continuation becomes a privileged mode of social commentary and literary entertainment and provides readers with an ongoing "history" of the present, or Zeitgeschichte. Drawing from media theory and periodical studies as well as from Reinhart Koselleck's work on processes of temporalization and "untimely" models of historical time, Writing Time presents "smaller" literary forms—the urban tableau, cultural reportage, and caricature—as new ways of imagining temporal unfolding, recentering periodicals and other serial forms at the heart of nineteenth-century print culture.
This volume has its starting point in the veritable explosion of serialized formats in all of forms representation, from painting to printing, beginning in the mid nineteenth century and the well-known fascination with series in biology, mathematics, music, art, or literature. The new media culture of the late nineteenth century, very much shaped by these serialized formats, sees itself confronted with questions of truthfulness in new and profound ways, just as perhaps the accelerated rhythm, anonymity, and broadened accessibility of new media today have created new possibilities for the dissemination of misinformation and, conversely, give us cause to interrogate anew our notions of truthfu...
Medieval German Literature provides a comprehensive survey of this Germanic body of work from the eighth century through the early fifteenth century. The authors treat the large body of late-medieval lyric poetry in detail for the first time.
River Cruising in Europe & the USA A river cruise is undoubtedly the most civilised way to see the best of a region; you can relax in the comfort of a small vessel as you glide through beautiful towns and spectacular scenery. But how do you choose which cruise company, which kind of rivership, and where to go? This new edition of River Cruising in Europe & the USA will tell you everything you need to know about taking a cruise along the rivers and waterways of both Europe and - for the first time - the USA. Written by cruise expert Douglas Ward, the guide gives you unbiased advice on the different kinds of river vessels and the facilities they offer, helping you to make an informed choice. W...
A thorough study of the Feldenkrais Method, a leading form of exercise therapy designed to improve your mental and physical well-being through mindful movement An educational system of neuromuscular re-education known for its gentle approach, the Feldenkrais Method has been shown to dramatically improve individual functioning by increasing self-awareness and facilitating new patterns of thinking, moving, and feeling. Intended for those who need to improve their movement repertoire for professional reasons—dancers, musicians, martial artists, gymnasts, and athletes—a well as those wishing to reduce pain or limitations in movement, Feldenkrais is based on the idea that learning to move bet...
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
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The linguistic analysis of runic inscriptions on the Continent tends to focus on individual texts or on groups of texts seen as parallel. We can advance our understanding of the state of Continental Germanic dialects in the 5th-7th centuries by examining the evidence for the major sound changes in a larger dataset. The study begins with a brief discussion of the Proto-Germanic phonemic system and the major processes by which the systems of Old High German (OHG) and Old Saxon (OS) develop from it. The main body of the work consists of the analysis of a corpus of 90 inscriptions (including, but not confined to, those conventionally labeled "South Germanic") for evidence of these changes. Rather than making the individual inscription the focus for analysis, the investigation groups together all possible witnesses to a particular phonological process. In many respects, the data are found to be consistent with the anticipated developments of OHG and OS; but we encounter some problems which the existing models of the sound changes cannot account for. There is also some evidence for processes at work in the dialects of the inscriptions which are not attested in OHG or OS.