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Las experiencias relatadas sobre los meses de confinamiento, reunidas en este libro, serán comprensibles para todo aquel que ha vivido las circunstancias de esta pandemia global. Se trata de una marca muy profunda que hemos recibido de manera colectiva y, por lo tanto, las lectoras y lectores de este libro serán capaces de sentirse cómplices de estos relatos.
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Since the days of Galileo, time has been a fundamental variable in scientific attempts to understand the natural world. Once the first recordings of electrical activity in the brain had been made, it became clear that electrical signals from the brain consist of very complex temporal patterns. This can now be demonstrated by recordings at the single unit level and by electroencephalography (EEG). Time and the Brain explores modern approaches to these temporal aspects of electrical brain activity. The temporal structure as revealed from trains of impulses from single nerve cells and from EEG recordings are discussed in depth together with an exploration of correlations with behaviour and psychology. The single cell and EEG approaches often tend to be segregated as the research occurs in laboratories in different parts of the world. By bringing together modern information acquired using both methods it is hoped that they can become better integrated as complimentary windows on the information processing achieved by the brain.
Seventeen-year-old Miguel Angel spends every minute after school at the Packing Shed, working out with the Alisal Boxing Club. He dreams of becoming a champion so he can get his mother and five siblings out of their cramped one-bedroom apartment in one of Salinas’ poorest barrios. But suddenly his life gets more complicated. The city is threatening to take the Packing Shed away from Coach, and without a place to train he won’t be able to avoid the gangbangers in his neighborhood. His childhood friend, Beto, has succumbed to the wiles of easy money and expensive cars, and Miguel Angel wonders if he’ll be able to resist his friend. Meanwhile, beautiful blonde Britney from Pebble Beach ha...
A series of interviews with the Chilean author.
Berlin Free University is an imagination of what a building might be - a building designed to function as a piece of the city, adapting to the needs of its users while generating opportunities for social interaction. The university offers a window onto the politicized and optimistic discourse of the Sixties and Seventies, but at the same time illuminates contemporary debates around large projects of infrastructure and public space. This extensive study of the building combines texts with a visual survey containing specifically commissioned photographs as well as archive material, plans and construction details.
Poetry. Latino/Latina Studies. Bilingual Edition. Translated from the Spanish by Daniel Borzutzky. "I sang the song of the old concrete sheds. It was filled with hundreds of niches, one over the other. There is a country in each one; they're like boys, they're dead." In this landmark poem, written at the height of the Pinochet dictatorship, major Chilean poet Raul Zurita protests with ferocious invention the extinguishment of a generation and the brutalization of a nation. Of the role of poetry and of his own treatment by the military under this regime, Zurita has said, "You see, the only thing that told me that I wasn't crazy, that I wasn't living in a nightmare, was this file of poems, and then when they threw them into the sea, then I understood exactly what was happening." This elegy refuses to be an elegy, refuses to let the Disappeared disappear.
A comprehensive look at the eagerly anticipated New Acropolis Museum in Athens, Greece, and the celebrated collection it houses. Marking the opening of the New Acropolis Museum, this book examines both its architecture and the archaeological treasures it was built to house. The building addresses the dramatic complexities of the collection and the site with minimalist simplicity by using three main materials—glass, stainless steel, and concrete. "There’s no way at the beginning of the twenty-first century you can try to imitate even superficially the art of 2,500 years ago," Tschumi says. The "precision of the concept was really what counted." The book provides an in-depth look at the creation of the building, set only 280 meters from the Parthenon, as well as the restoration, preservation, and housing of its exhibits through over 200 photographs, drawings, and texts.
Philosophy and architecture by Bernard Tschumi.