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A biographical dictionary devoted to Chinese women, this text is the result of years of research, translation and writing from contributors from around the world. This volume focuses on the 20th century and includes sportwomen, film stars, musicians, politicians, artists, educators and more.
Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating.
Praise for the first edition: "... in the great tradition of Orwell and Solzhenitsyn; its true subject is the survival -- and sometimes the defeat -- of the human spirit in its lonely quest for integrity." -- Time "The almost childlike directness of Chen's tales... is captured in the very lightly revised translations of this new edition... Highly recommended." -- Choice A classic of modern world literature, this collection of stories provides a vivid and poignant eyewitness view of everyday life in China during the Cultural Revolution. For this edition, Howard Goldblatt has thoroughly revised the text and updated it to Pinyin romanization. In a new introduction, Perry Link reflects on the book's significance in the post-Tiananmen era. Twenty-five years after its first publication, The Execution of Mayor Yin has lost none of its power to move the reader, and remains unmatched as a document of the period.
Cheng Mingxuan is really worried, afraid, still thinking about what to do, floret came infrom the outside:
This book examines five of the most influential Chinese-born women writers of the post-war era: Nie Hualing, Yu Lihua, Chen Ruoxi, Li Li, and Zhong Xiaoyang. They have become a dominating force in Chinese literature today, although they presently reside outside their homeland. This book raises a clear and consistent voice in line with the literature of exile and self discovery. As these writers talk of the rootthe self, and their social, cultural, and historical identities their varied voices share the unique characteristics of the literature of exile. These women, who continue to write in their native language, envision themselves as the literary mediators between their lost past an...
This book is a cross-cultural, interdisciplinary study which compares responses to modernity in the literary cultures of Japan and Taiwan, 1960-1990. Moving beyond the East-West framework that has traditionally dominated comparative enquiry, the volume sets out to explore contemporary East Asian literature on its own terms. As such, it belongs to the newly emerging area of inter-Asian cultural studies, but is the first full-length monograph to explore this field through the prism of literature. The book combines close readings of paradigmatic texts with in-depth analysis of the historical, social, and ideological contexts in which these works are situated, and explores the form and function of literary practice within the “miracle” societies of industrialized East Asia.
Written by the former chairman and managing director of the American Institute in Taiwan, this book sheds new light on key topics in the history of U.S.-Taiwan relations. It fills an important gap in our understanding of how the U.S. government addressed Taiwan and the Taiwan Strait issue from the early 1940s to the present. One theme that runs through these essays is the series of obstacles erected that denied the people of Taiwan a say in shaping their own destiny: Franklin Roosevelt chose to return Taiwan to mainland China for geopolitical reasons; there was little pressure on the Kuomintang to reform its authoritarian rule until Congress got involved in the early 1980s; Chiang Kai-shek s...
The first biographical dictionary in any Western language devoted solely to Chinese women, Biographical Dictionary of Chinese Women is the product of years of research, translation, and writing by scores of China scholars from around the world. Volume II: Twentieth Century includes a far greater range of women than would have been previously possible because of the enormous amount of historical material and scholarly research that has become available recently. They include scientists, businesswomen, sportswomen, military officers, writers, scholars, revolutionary heroines, politicians, musicians, opera stars, film stars, artists, educators, nuns, and more.
This volume gathers personal reflections on life and literature by 44 of China's leading authors. It aims to illustrate how Chinese society and its creative writing have supported, competed and fought with each other for the past 40 years and more. Much of what is revealed here is mundane, but the pressure of bringing art to social and political causes, indeed the universal pressure to survive, forges this collection into a very human document. The strengths and weaknesses of these essays offer a window on those of modern Chinese literature itself. Realism was the favoured literary doctrine of the day, and, reflecting this, most of these essays speak for themselves - about war, revolution, betrayal and commitment.
Kniha "Crossing Between Tradition and Modernity" představuje soubor třinácti esejů k uctění památky Mileny Doleželové-Velingerové (1932–2012), členky pražské sinologické školy a významné odbornice na čínskou literaturu, která zastávala přední místo při zavádění literární teorie a její důsledné aplikace v sinologii. Milena Doleželová-Velingerová byla jedním z těch vzácných vědeckých pracovníků, kteří psali se stejnou erudicí a stejně kvalifikovaně jak o moderní, tak i o klasické literatuře. Eseje následují příkladu Mileny Doleželové-Velingerové v tom smyslu, že se zabývají širokým spektrem historických období, literárních žánrů a témat - od Tangových cestovatelských esejů až po kulturní identitu postkoloniálního Hong-Kongu. Eseje jsou strukturovány do dvou částí Language, Structure, and Genre a Identities and Self-Representations. Jsou motivovány soustředěným zájmem o problematiku jazyka, narativní struktury a komplexní povahy literárního významu, tématy, které byly středobodem práce Mileny Doleželové-Velingerové.