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Politics and Community-Based Research: Perspectives from Yeoville Studio, Johannesburg provides a textured analysis of a contested urban space that will resonate with other contested urban spaces around the world and challenges researchers involved in such spaces to work in creative and politicised ways This edited collection is built around the experiences of Yeoville Studio, a research initiative based at the School of Architecture and Planning at the University of the Witwatersrand, Johannesburg. Through themed, illustrated stories of the people and places of Yeoville, the book presents a nuanced portrait of the vibrance and complexity of a post-apartheid, peri-central neighbourhood that ...
A pathbreaking history of the development of scientific racism, white nationalism, and segregationist philanthropy in the U.S. and South Africa in the early twentieth century, Waste of a White Skin focuses on the American Carnegie Corporation’s study of race in South Africa, the Poor White Study, and its influence on the creation of apartheid. This book demonstrates the ways in which U.S. elites supported apartheid and Afrikaner Nationalism in the critical period prior to 1948 through philanthropic interventions and shaping scholarly knowledge production. Rather than comparing racial democracies and their engagement with scientific racism, Willoughby-Herard outlines the ways in which a rac...
As South Africa’s democracy matures, this book raises pertinent questions: How does the state mediate between traditional tribal authority and constitutional law in matters such as initiation customs or the rights of women, children, and homosexuals? What are the limitations on artistic freedom in a society where sensitivities over colonial- and apartheid-era representations are acute? How does race open up discussions or close down dialogue? and What are the parameters of freedom of speech when minorities fear that hateful language may trigger actual violence against them? Examining disputes over South African art, music, media, editorial cartoons, history, public memory, and a variety of social practices, the culture wars' perspective is extended to new territory in this study, demonstrating its cross-cultural applicability and parsing critical debates within this vibrant society in formation.
An investigation into the spatial politics of separation and division in South Africa, principally during the apartheid years, and the effects of these physical and conceptual barriers on the land. In contrast to the weight of literature focusing on post-apartheid South Africa, the focus of this book includes the spatial, political and cultural landscape practices of the apartheid government and also refers to contemporary work done in Australia, England and the US. It probes the uncertainty and ambiguity of identities and cultures in post-apartheid society in order to gain a deep understanding of the history that individuals and society now confront. Drawing on a wealth of research materials including literature, maps, newspapers, monuments, architectural drawings, government legislation, tourist brochures, political writing and oral histories, this book is well illustrated throughout and is a unique commentary on the spatial politics of a time of enormous change.
An engrossing look at how history has been produced, contested, and unsettled in South Africa from Mandela's release to 2010.
This edited collection looks at ruins and vacant buildings as part of South Africa’s oppressive history of colonialism and apartheid and ways in which the past persists into the present Falling Monuments, Reluctant Ruins: The Persistence of the Past in the Architecture of Apartheid interrogates how, in the era of decolonization, post-apartheid South Africa reckons with its past in order to shape its future. Architects, historians, artists, social anthropologists and urban planners seek answers in this book to complex and unsettling questions around heritage, ruins and remembrance. What do we do with hollow memorials and political architectural remnants? Which should remain, which forgotten...
Metropolises often evoke images of flashy high-rise buildings, permanent background noise, backed-up cars and people moving quickly in all directions in their masses. New York, Tokyo, London, Sao Paulo. But what about Cairo?
Drawing on over fifty years of writing, performance, film, architecture, photography, and culture more broadly, Imagining the Edgy City offers a compelling interdisciplinary study of South Africa's largest city.
This volume was first published by Inter-Disciplinary Press in 2016. This collection examines the varying constructions of racial whiteness across different historical periods, cultures, and nation states. Discussions are included of whiteness as depicted in cinema, literature, comic books, the internet, photography, and popular television, drawing on perspectives and disciplines such as history, sociology, the law, feminism, discourse analysis and cultural studies. The formation of whiteness is considered across many national contexts, including the United States, the United Kingdom, Austria, Italy, Sweden, South Africa and Ireland. The intention of the collection is to illustrate the variability of whiteness as a racial construct; the ways in which whiteness is complicated and fragmented by other qualities such as country of origin, religion, language, age and appearance; the extent to which whiteness comes to be located in non-physical qualities, such as education, ethnicity, class, lifestyle, and behaviour, and the extent to which whiteness establishes and maintains its own internal hierarchies.