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The Rainbow Age of Television
The ultimate deep dive into the revolution of queer TV With the last decade’s television boom across a multitude of platforms, producing hundreds of network and streaming series, American audiences are being treated to a cascade of shows that some have trumpeted as a second Golden Age. But something completely new is stirring, too—the Rainbow Age. For the first time in the history of American television, we have shows in which LGBTQIA+ characters have evolved from being an anomaly to being an almost given and celebrated presence on the small screen. But what more can queer TV do? Is each new queer character really breaking ground? And has the curse of the fictional dead lesbian finally b...
History on Television
This interdisciplinary study of history programming identifies and examines different genres employed by producers and tracks their commissioning, production, marketing and distribution histories. With comparative references to other European nations and North America, the authors focus on British history programming over the last two decades and analyse the relationship between the academy and media professionals. They outline and discuss often-competing discourses about how to 'do' history and the underlying assumptions about who watches history programmes. History on Television considers recent changes in the media landscape, which have affected to a great degree how history in general, and whose history in particular, appears onscreen.
The Biopic in Contemporary Film Culture
The biographical film or biopic is a staple of film production in all major film industries and yet, within film studies, its generic, aesthetic, and cultural significance has remained underexplored. The Biopic in Contemporary Film Culture fills this gap, conceptualizing the biopic with a particular eye toward the "life" of the genre internationally. New theoretical approaches combine with specially commissioned chapters on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a selective but well-rounded portrait of the biopic’s place in film culture. From Marie Antoinette to The Social Network, the pieces in this volume critically examine the place of the biopic within ongoing debates about how cinema can and should represent history and "real lives." Contributors discuss the biopic’s grounding in the conventions of the historical film, and explore the genre’s defining traits as well as its potential for innovation. The Biopic in Contemporary Film Culture expands the critical boundaries of this evolving, versatile genre.
The Golden Age of Boston Television
There are some two hundred TV markets in the country, but only oneÑBoston, MassachusettsÑhosted a Golden Age of local programming. In this lively insider account, Terry Ann Knopf chronicles the development of Boston television, from its origins in the 1970s through its decline in the early 1990s. During TVÕs heyday, not only was Boston the nationÕs leader in locally produced news, programming, and public affairs, but it also became a model for other local stations around the country. It was a time of award-winning local newscasts, spirited talk shows, thought-provoking specials and documentaries, ambitious public service campaigns, and even originally produced TV films featuring Hollywoo...
Hollywood and the Culture Elite
Peter Decherney explores how the concerns of intellectuals and the needs of Hollywood studio heads led to the development of a mutually beneficial relationship during Hollywood's Golden Age (1915-1960). During this period, museums, universities, and government agencies used films to maintain their position as quintessential American institutions, transforming movies into an art form and making moviegoing a vital civic institution. Decherney's history features an intriguing cast of characters, including the poet Vachel Lindsay, film producers Adolph Zukor and Joseph Kennedy, Hollywood flak Will Hays, and philanthropist Nelson Rockefeller. He shows how Columbia and Harvard started film studies programs in the 1910s and 1920s to remake American education and American culture. And he shows how the Museum of Modern Art, the U.S. Office of War Information, and the National Endowment for the Arts worked with Hollywood to fight fascism and communism and to promote American values abroad. Hollywood and the Culture Elite offers a unique glimpse into the collaboration between Hollywood and the stewards of high culture to ensure their own survival and profitability.
Screwball Television
Bringing together seventeen original essays by scholars from around the world, Screwball Television offers a variety of international perspectives on Gilmore Girls. Adored by fans and celebrated by critics for its sophisticated wordplay and compelling portrayal of a mother-daughter relationship, this contemporary American TV program finally gets its due as a cultural production unlike any other, one that is beholden to Hollywood’s screwball comedies of the 1930s, steeped in intertextual references, and framed as a "kinder, gentler kind of cult television series" in this tightly focused yet wide-ranging collection. This volume makes a significant contribution to television studies, genre studies, and women’s studies. Screwball Television seeks to bring Gilmore Girls more fully into academic discourse not only as a topic worthy of critical scrutiny but also as an infinitely rewarding text capable of stimulating the imagination of students beyond the classroom.
Television and the Self
Sitting prominently at the hearth of our homes, television serves as a voice of our modern time. Given our media-saturated society and television’s prominent voice and place in the home, it is likely we learn about our society and selves through these stories. These narratives are not simply entertainment, but powerful socializing agents that shape and reflect the world and our role in it. Television and the Self: Knowledge, Identity, and Media Representation brings together a diverse group of scholars to investigate the role television plays in shaping our understanding of self and family. This edited collection’s rich and diverse research demonstrates how television plays an important role in negotiating self, and goes far beyond the treacly “very special” episodes found in family sit-coms in the 1980s. Instead, the authors show how television reflects our reality and helps us to sort out what it means to be a twenty-first-century man or woman.
Reading Race
Examination of the representations of Australia's indigenous peoples in texts for children and of how these have helped to colour the attitudes, beliefs and assumptions of different generations of Australians. Draws on examples from popular and literary children's books of all genres - fiction, non-fiction, picture books and school texts - by both white and Aboriginal writers. Also uncovers the different ideologies of race that have informed Australian children's texts since the 19th century. Includes illustrations, endnotes, bibliography and index. Author is an Associate Professor in the School of Literary and Communication Studies at Deakin University.
Gender Outlaw
Part coming-of-age story, part mind-altering manifesto on gender and sexuality, coming directly to you from the life experiences of a transsexual woman, Gender Outlaw breaks all the rules and leaves the reader forever changed. 26 black-and-white illustrations.
Writing Hollywood
The central focus of Scripting Hollywood is the television writing process for drama and comedy series. Patricia F. Phalen argues that the way writers do their jobs is heavily dependent not only on the demands of commercial business but also on the uncertainties inherent in a writing career in Hollywood. Drawing on the literatures of "Media Industry Studies" and "Occupational Culture," Scripting Hollywood shows how writers efforts to control risk and survive in a constantly changing environment affect the stories they tell and how they tell them. Using data from personal interviews and a two-month participant observation at a prime time drama to analyze the relationships among writers in series television, this text describes the interactions between writers and studio/network executives, and explains how endogenous and exogenous pressures affect the occupational culture of the television writing profession. Scripting Hollywood is written primarily for undergraduate and graduate courses in Media Industries and Organizations, screenwriting, television studies, and popular culture. It will also appeal to anyone interested in how media "work." "
