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Mobilizing Pedagogy
What is--what should be--the place of art in society? Is it merely decorative? Is it only to affirm a given set of cultural preferences? Or should it examine, challenge, even upend these norms to bring open new perspectives for those who experience what artists create? Social practice artists offer a clear and unflinching answer to this question, setting before us works intended not merely to ask questions but to propose pathways toward large societal change. In this volume, the work of two social practice artists of different generations and different social locations--Suzanne Lacy and Pablo Helguera--are brought into creative tension by two visionary curators: Elyse A. Gonzalez of the Art, Design & Architecture Museum of the University of California, Santa Barbara, and Sara Reisman of the Shelley and Donald Rubin Foundation of New York. Working together, Gonzales and Reisman bring the work of these two engaged and activist artists into dialogue, showing how art can be not merely the mirror of society but the means of making it more just, more inclusive, and more humane.
Day With(out) Art 2017
ALTERNATE ENDINGS, RADICAL BEGINNINGS was the 28th annual iteration of Visual AIDS' longstanding Day With(out) Art project. Curated by Erin Christovale and Vivian Crockett for Visual AIDS, the video program prioritized Black narratives within the ongoing AIDS epidemic, commissioning seven new and innovative short videos from artists Mykki Blanco, Cheryl Dunye & Ellen Spiro, Reina Gossett, Thomas Allen Harris, Kia LaBeija, Tiona Nekkia McClodden and Brontez Purnell.The 54 page soft cover publication includes film stills and artist statements from contributing filmmakers Mykki Blanco, Kia LaBeija, Cheryl Dunye and Ellen Spiro, Reina Gossett, Thomas Allen Harris, Tiona Nekkia McClodden, and Brontez Purnell; a statement by curators Erin Christovale and Vivian Crockett; and an essay by the Tacoma Action Collective.
Men, Masculinities and the Modern Career
This book focuses on the multiple and diverse masculinities ‘at work’. Spanning both historical approaches to the rise of ‘profession’ as a marker of masculinity, and critical approaches to the current structures of management, employment and workplace hierarchy, the book questions what role masculinity plays in cultural understandings, affective experiences and mediatised representations of a professional ‘career’.
Beuysian Legacies in Ireland and Beyond
This collection of trans-disciplinary essays addresses the artistic, cultural, and political legacies of Joseph Beuys' expanded concept of art and its societal application, for example, through the Free International University (FIU). Since the 1980s, Beuys' practice has had a strong influence on the Peaceful Revolution, "relational aesthetics" and the "art and reconciliation" movement, attempting to bring about cultural understanding and reconciliation in situations of conflict. His work is pertinent to how we think about diversity and sustainability and may constitute an applied anthropology. (Series: European Studies in Culture and Policy - Vol. 6)
Education for Socially Engaged Art
Education for Socially Engaged Art is the first 'Materials and Techniques' book for the emerging field of social practice. Written with a pragmatic, hands-on approach for university-level readers and those interested in real-life application of the theories and ideas around socially engaged art. The book, emphasizing the use of pedagogical strategies to address issues around social practice, addresses topics such as documentation, community engagement, dialogue and conversation, amongst many others.
Carefree California: Cliff May and the Romance of the Ranch House
This landmark volume is an authoritative, richly illustrated examination of the origins, evolution, and influence of the California ranch house. Carefree California looks at a legendary figure in Southern California design, Cliff May, and the ubiquitous domestic icon his name evokes, the ranch house. We also see how other architects—from George Washington Smith to Rudolph Schindler—pursued different paths toward the same kind of relaxed domesticity exemplified by the ranch house. By the late ’50s, much of the world was fascinated with California living and with the ranch house in particular, which derived from architects’ evocation and reworking of distinctive regional traditions, allied with the pervasive romance and myths of the California frontier, and from the cultivation of a domestic architecture that could serve distinctively Californian ways of carefree living. By uncovering patterns for living that suited the automobile age among the almost archaic forms and rhythms of mission and pioneer dwellings, an extraordinary range of modernism emerged that was at once grounded in history and soaring into the space age.
Animacies
Rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness
The Duchamp Effect
This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and ...
The State of Art Criticism
Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.
