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The Soviet Secret Police
The Soviet Secret Police (1957) depicts the main aspects of the development, structure and functions of the secret police of the Soviet Union. Much of the information contained within comes from the personal testimony of Soviet citizens who had experienced various activities of the secret police, and forms a full and objective study of the secret police and its role in the Soviet system.
Fugitive Theory
The group known as the Southern Agrarians came out of Vanderbilt University in the wake of the 1925 Scopes Trial in Dayton, Tennessee. In response to attacks on the South and Southern culture, these scholars and poets-including Allen Tate, Donald Davidson, John Crowe Ransom, Robert Penn Warren, Andrew Lytle, Frank Owsley, and others-turned their attention to the defense of the South and its political tradition in numerous essays and books. Christopher Duncan's Fugitive Theory situates the Agrarians' political thought within the larger context of the Western political tradition in general and in the context of American political thought in particular. Duncan argues that the political theory o...
Hearings
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The Many Faces of Socialism
Dealing with topics and perspectives generally neglected by American sociologists, Hollander focuses on the nature of socialism and the reasons for Marxism's appeal among Western intellectuals. In his new introduction to updated essays, never before published in book form, he also addresses issues of enduring interest in both socialist and pluralistic societies. These include relationships between the private and the public, techniques of social and political control, the timeless tension between professed value and observed behavior, and the way systems struggle for a sense of purpose in the contemporary world.
Police Aesthetics
The documents emerging from the secret police archives of the former Soviet bloc have caused scandal after scandal, compromising revered cultural figures and abruptly ending political careers. Police Aesthetics offers a revealing and responsible approach to such materials. Taking advantage of the partial opening of the secret police archives in Russia and Romania, Vatulescu focuses on their most infamous holdings—the personal files—as well as on movies the police sponsored, scripted, or authored. Through the archives, she gains new insights into the writing of literature and raises new questions about the ethics of reading. She shows how police files and films influenced literature and cinema, from autobiographies to novels, from high-culture classics to avant-garde experiments and popular blockbusters. In so doing, she opens a fresh chapter in the heated debate about the relationship between culture and politics in twentieth-century police states.
