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The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters
This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.
The Golden Thread
This two-volume edited collection covers three hundred years of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Volume One looks at the period from 1716 to 1992, exploring such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.
Appropriations of Irish Drama in Modern Korean Nationalist Theatre
This book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised. By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this study shows how the intervention of the competing agents – both the colonisers and the colonised – formulates the strategies of representation or empowerment in the rival claims of the translation field. This exploration will be of great interest to students and scholars of theatre and performance studies, translation studies, and Asian studies.
The Irish and China
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A Toast to Love and Sacrifice
The book comprises three tales written in "classical" verse (i.e., strict rhythms and rhyme.) Although in the form of fairy tales and fables, they deal with important social and historic issues. "A Tale of Dancing Chair" decries racial discrimination and expounds the idea that, regardless of outside help, success comes to those who don't shy away from hard work, are willing and able to use creative potential to the fullest, and stand up to bigotry, injustice, and unfair judgement. "A Tale of Captive Puffins . . ." reflects upon events in the history of Russian/Soviet Jewry in the twentieth Century. To recognize historic prototypes of the fable's characters, one should read up on history of T...
The Contested Identities of Ulster Protestants
This study explores the idea voiced by journalist Henry McDonald that the Protestant, Unionist and Loyalist tribes of Ulster are '...the least fashionable community in Western Europe'. A cast of contributors including prominent politicians, academics, journalists and artists explore the reasons informing public perceptions attached to this community.
Fluffy
Fluffy is story of unanswerable questions, love, despair, adventure and happiness. Fluffy is a baby rabbit who is being looked after by an anxious, single man called Michael Pulcino. Michael tries to make it clear to Fluffy that he is not his daddy, but Fluffy appears to be in denial. Michael is being pursued by Fluffy's nursery school teacher, and partly to escape her, he and Fluffy set off to visit his family in Sicily. Will Michael escape her? Will Fluffy come to terms with the reality that he is not a human being? All is at least partly resolved in Simone Lia's utterly irresistible graphic novel.
All on Show
All on Show takes the circus in literature as its theme. The book introduces readers to the obscure history of the circus and travelling entertainment in Ireland while contextualising celebrated works by major writers of the twentieth century including Ó Conaire, Joyce, Yeats, Friel and Heaney. It uses theories of performance to explore how and why writers might turn to the world of the circus for inspiration as they confront issues of politics, national identity, gender and sexuality. At the same time, Lybeck acknowledges the sensual intensity of the circus while reading live performance events, film and visual art alongside her literary subjects. The study is complemented by analysis of hitherto neglected archival material and exciting original interviews with John Banville, Neil Jordan and Paul Muldoon. Never before has the circus been treated with such seriousness as a theme in Irish writing. As a result, All on Show, offers readers the opportunity to reflect on changes in Irish culture and society from a unique perspective: one that is at once dazzling and unsettling; disheartening and enchanting
You Took the Last Bus Home
You Took the Last Bus Home is the first and long-awaited collection of ingeniously hilarious and surprisingly touching poems from Brian Bilston, the mysterious ‘Poet Laureate of Twitter’. With endless wit, imaginative wordplay and underlying heartache, he offers profound insights into modern life, exploring themes as diverse as love, death, the inestimable value of a mobile phone charger, the unbearable torment of forgetting to put the rubbish out, and the improbable nuances of the English language. Constantly experimenting with literary form, Bilston’s words have been known to float off the page, take the shape of the subjects they explore, and reflect our contemporary world in the form of Excel spreadsheets, Venn diagrams and Scrabble tiles. This irresistibly charming collection of his best-loved poems will make you laugh out loud while making you question the very essence of the human condition in the twenty-first century.
