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Sophie Podolski
This bilingual publication offers an unprecedented exploration of the work of Belgian poet and artist Sophie Podolski (1953-1974), who has lingered in obscurity since her untimely death at the age of 21. Podolski's work is emblematic of a time marked by sexual liberation, antipsychiatry, and youth disenchantment. As a self-taught writer and artist, she wrote in an uninhibited and provocative style about life, popular culture, and conformist society. While she was known primarily as a poet during her lifetime, this book places emphasis on Podolski's visual practice and highly personal iconography. As well as the original manuscript of her only book, The Country Where Everything Is Permitted (1972), this book showcases Podolski's remarkable body of graphic works, with more than 100 drawings and some of her earliest etchings. Distributed for Mercatorfonds
Sophie Podolski. Le Pays Où Tout Est Permis
The first monograph dedicated to the visual art of Belgian cult poet and writer Sophie Podolski (1953-1974) features original essays, previously unpublished drawings and texts, and selected translations of her handwritten, illustrated manuscript 'The Country Where Everything Is Permitted' (1972). The contributing writers each explore specific iconographies that are crystallized in Podolski's remarkable graphic oeuvre, considering her highly personal vocabulary and uninhibited style against the backdrop of the late 1960s' and early 1970s' counterculture. Founded on new research that underpinned her solo exhibitions at WIELS (Brussels) and Villa Vassilieff (Paris), this book brings Podolski's lost art into the limelight.00Exhibition: Wiels, Brussels, Belgium (20.01 ? 01.04.2018) / Villa Vassilieff, Paris, France (21.04. - 07.07.2018).
Sophie Podolski
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Antwerp
“It’s hard to think of a writer who has multiplied the possibilities more times than Roberto Bolaño . . . [Antwerp is] exceptional and moving.” —Nicole Krauss, The Guardian Oft called the “big bang” of Roberto Bolaño’s universe, Antwerp is his first novel—or the shattered remnants of one. Written when he was just twenty-seven years of age, it was so intensely strange and solitary that he tucked it away for more than twenty years, certain that any publisher would slam the door in his face. It proceeds in hallucinatory sketches: a lonely highway, a desolate campground, a freshly abandoned hotel room; a tryst, an interrogation, a murder; and somewhere just out of reach, a young, feverish writer named Roberto Bolaño drifting in and out of view. A radical, sui generis effort by a burgeoning genius, Antwerp is an essential part of Bolaño’s oeuvre.
Snow queen
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Sophie Podolski
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Counterpractice
Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.
Sculpture Undone, 1955-1972
"A sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but also of her own body. Though her career effectively spanned less than two decades (cut short by the artist's premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Râealisme, and Pop art. Her tinted polyester casts of body parts, often transformed into everyday objects like lamps or ashtrays; her poured polyurethane forms; and her elaborately constructed sculptures, which at times incorporated photographs, clothing, or car parts, all remain as ...
Libidinal Economy
First published in 1974, Libidinal Economy is a major work of twentieth century continental philosophy. In it, Lyotard develops the idea of economies driven by libidinal 'energies' or 'intensities' which he claims flow through all structures, such as the human body and political or social events. He uses this idea to interpret a diverse range of subjects including political economy, Marxism, sexual politics, semiotics and psychoanalysis. Lyotard also carries out a broad critique of philosophies of desire, as expounded by Deleuze and Guattari, Nietzsche, Bataille, Foucault and de Sade.
