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Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
Poets, painters, philosophers, and scientists alike debated new ways of thinking about visual culture in the “long eighteenth century”. The essays in The Enlightened Eye: Goethe and Visual Culture demonstrate the extent to which Goethe advanced this discourse in virtually all disciplines. The concept of visuality becomes a constitutive moment in a productive relationship between the verbal and visual arts with far-reaching implications for the formation of bourgeois identity, pedagogy, and culture. From a variety of theoretical perspectives, the contributors to this volume examine the interconnections between aesthetic and scientific fields of inquiry involved in Goethe’s visual identi...
This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Not a cookbook, but a encyclopedia collection of entries on all things sweet. The articles explore the ways in which our taste for sweetness have shaped-- and been shaped by-- history. In addition, you'll discover the origins of mud pie; who the Sara Lee company was named after; why Walker Smith, Jr. is better known as "Sugar Ray Robinson"; and how lyricists have immortalized sweets from "Blueberry Hill" to "Tutti Fruiti".
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Juliusz Bursche (1862–1942) był zwierzchnikiem największego protestanckiego Kościoła w międzywojennej Polsce, Kościoła Ewangelicko-Augsburskiego (inaczej: luterańskiego), wówczas dużo liczniejszego i bardziej wpływowego niż obecnie, mającego charakter niemiecko-polski. Wywodził się z rodziny osadników niemieckich, którzy dotarli do ówczesnego Królestwa Polskiego w pierwszej połowie XIX w. i był pierwszą osobą w rodzie, która się utożsamiła z polskością. Jako świadomy „Polak z wyboru”, stojący u steru Kościoła przez trzy i pół dekady, poprowadził on swych wiernych przez najbardziej burzliwy okres XX w.: od rewolucji 1905 r. do II wojny światowej. Uzn...
Seit mehr als zwanzig Jahren ist der Autor regelmäßig Gast in Sant'Angelo auf der Insel Ischia. Er schildert Begegnungen mit Fischern und Kartenspielern, den letzten Maultierführern des Ortes sowie Künstlern. Karneval und Konzerte, Prozessionen und religiöse Feste im Frühling und Herbst stehen neben dem Erlebnis von wilder Natur und ursprünglichen Orten. Besuche im späten Winter zeigen ein anderes Sant'Angelo: ohne Touristen, noch immer mit dem Rhythmus der ein- und auslaufenden Boote der Fischer. Erzählt wird auch die Geschichte einer außergewöhnlichen Deutschen, die vor fünfzig Jahren als Touristin nach Ischia kam und aus Liebe zu einem einheimischen Seemann in Sant'Angelo blieb. Die von ihr geführte Pension wurde bald ein beliebter Treffpunkt für Gäste und Künstler aus vielen Ländern.