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Experimental writing that takes you inside psychiatric wards and shock treatments toward new futures of care. Next Generation Indie Book Award Finalist; Bronze Medal winner from the Independent Publisher Book Awards; Midwest Book Award Gold Medal Winner! Stephanie Heit's hybrid memoir poem blasts the page electric and documents her experience of shock treatment. Using a powerful mélange of experimental forms, she traces her queer mad bodymind through breathlessness, damage, refusal, and memory loss as it shifts in and out of locked psychiatric wards and extreme bipolar states. Heit survives to give readers access to this somatic, visceral rendering of a bipolar life complete with sardonic humor, while showing us the dire need for new paradigms of mental health care outside closets, attics, prisons, and wards. Psych Murders adds a vital layer of lived experience of electroshocks and suicidal ideation to the growing body of literature of madness and mental health difference.
"Self-elegies are cultural artifacts, lenses for understanding and defining self as well as sharing and creating community.The poems and prose in this anthology are a mix of autobiography and poetics, incorporating craft with race, gender, sexuality, ability/disability, and place"--
"Disability justice and ecojustice are rarely considered together but are in constant conversation in our world. Rituals for Climate Change: A Crip Struggle for Ecojustice, combining poetry and the lyrical essay, doesn't contain just one point of view but encompasses dialectical perspectives which often exist in contradiction to each other. A disabled person is in need of plastic cups and concerned about the overwhelming plastic in our ecosystems. Ortiz expands on and complicates who is seen as an environmentalist and what being in relationship with the land can look like. This book is an offering to explore the spiritual question of how to witness. It serves as a companion to those also grappling with the difficult and often unanswerable questions posed by climate change in the borderlands. By exploring the ways body, mind, and cultures both clash with and long for ecojustice, Rituals for Climate Change offers an often-overlooked perspective on climate-grief, interdependence, and resilience. Disabled people know how to adapt to a world that is ever changing without considering them."--Back cover.
Identity, Culture, and the Science Performance, Volume 1: From the Lab to the Streets is the first of two volumes dedicated to the diverse sociocultural work of science-oriented performance. A dynamic volume of scholarly essays, interviews with scientists and artists, and creative entries, it examines explicitly public-facing science performances that operate within and for specialist and non-specialist populations. The book's chapters trace the theatrical and ethical contours of live science events, re-enact historical stagings of scientific expertise, and demonstrate the pedagogical and activist potentials in performing science in community settings. Alongside the scholarly chapters, From ...
Female infanticide is a social practice often closely associated with Chinese culture. Journalists, social scientists, and historians alike emphasize that it is a result of the persistence of son preference, from China's ancient past to its modern present. Yet how is it that the killing of newborn daughters has come to be so intimately associated with Chinese culture? Between Birth and Death locates a significant historical shift in the representation of female infanticide during the nineteenth century. It was during these years that the practice transformed from a moral and deeply local issue affecting communities into an emblematic cultural marker of a backwards Chinese civilization, requi...
Join me on a journey to the unspoiled forests of Upper Michigan... "A long time ago young men wishing to be tall scaled the mast of my octopus arms and scanned the horizon of Lake Superior for a glimmer of Canada. Usually we were cut down ..." For many of those who've lived there, the Upper Peninsula of Michigan can seem like a magical place because nature there feels so potent and, at times, full of mystery. After having grown up there, Raymond Luczak can certainly attest to its mythical powers. In Chlorophyll, he reimagines Lake Superior and its environs as well as his houseplants as a variety of imaginary and historical characters. "Ghosts dress in only gray and white. This is how they ca...
With an interdisciplinary agenda, Film Phenomenologies investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz. Established scholars consider various themes, including colonial duration and the politics of refusal, feeling feminist time, the exchange of play, scalar theory and scattered bodies, spectatorship and the entanglement of montage, disability, dance and speculative embodiment, AI phenomenology and breath gestures, cinematic atmospheres, the precarious intimacy of the film screen, stardom and biopics, and Black lived experience. Divided into three parts, Film Phenomenologies offers a collective combination of phenomenological approaches, braiding classic and critical methods to explore aesthetic, embodied, ethical, and political perspectives. It is the first collection to provide a substantial engagement with diverse and inclusive directions in the field of film and media studies.
True crime meets ecopoetry at the level of the soil, bringing together life and death. A decaying psychogeography unfurls the landscapes of the 1967–69 Michigan Murders, the 2019 Detroit serial killer, and the COVID-19 lockdown in this visceral poetry collection. Author, performance artist, and disability culture activist Petra Kuppers dissects traces of violence in the richness of the soil while honoring lost community members. Dynamic and somatic poems traverse the realms of urban space, wild rivers, and the hinterlands of suburbia, glimpsing the decay of bodies, houses, carpets, hair, and bones by way of ecopoetry. Poems like "Reintegration" and "Earth Séance" delve into cycles of deco...
This book explores and interrogates access and diversity in applied theatre and drama education. Access is persistently framed as a strategy to share power and to extend equality, but in the context of current and recent power struggles, it is also seen as a discourse that reinforces marginalisation and exclusion. The political bind of access is also a conceptual problem. It is impossible to refuse to engage in strategies to extend access to institutions, representations, buildings, education, discourse, etc. We cannot oppose access or strategies for access without reinforcing marginalisation and exclusion. We can’t not want access for ourselves or for others. However, we are then in dange...
Honorable Mention, 2022 MLA Prize for a First Book Far from Mecca: Globalizing the Muslim Caribbean is the first academic work on Muslims in the English-speaking Caribbean. Khan focuses on the fiction, poetry, and music of Islam in Guyana, Trinidad, and Jamaica. Combining archival research, ethnography, and literary analysis, Khan argues for a historical continuity of Afro- and Indo-Muslim presence and cultural production in the Caribbean. Case studies explored range from Arabic-language autobiographical and religious texts written by enslaved Sufi West Africans in nineteenth-century Jamaica, to early twentieth-century fictions of post-indenture South Asian Muslim indigeneity and El Dorado, to the attempted government coup in 1990 by the Jamaat al-Muslimeen in Trinidad, as well as the island’s calypso music, to contemporary judicial cases concerning Caribbean Muslims and global terrorism. Khan argues that the Caribbean Muslim subject, the “fullaman,” a performative identity that relies on gendering and racializing Islam, troubles discourses of creolization that are fundamental to postcolonial nationalisms in the Caribbean.