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Arthur J. Goldberg
A welcome addition to high school, college, and library collections, this eBook examines the biographical facts of United States Supreme Court justice Arthur J.
Yun-Fei Ji
This monograph features Beijing-born artist's acclaimed scrolls, sculptures, and drawings. In his stunning impressionistic works, Yun-Fei Ji takes on the thousand-year-old practice of Chinese scroll painting, employing ink on paper as his primary medium, and landscape as his central subject. Rather than adopting the idealism characteristic of traditional scroll painting, Ji presents the gritty reality of life in contemporary China. In this comprehensive monograph, Ji's works bridge the gap between modernity and tradition. Essays explore themes of community, dislocation, and environmental degradation as well as Chinese folklore and its rapid decline in his native country's culture.
Jews, Sports, and the Rites of Citizenship
To many, an association between Jews and sports seems almost oxymoronic--yet Jews have been prominent in boxing, basketball, and fencing, and some would argue that hurler Sandy Koufax is America's greatest athlete ever. In Jews, Sports, and the Rites of Citizenship, Jack Kugelmass shows that sports--significant in constructing nations and in determining their degree of exclusivity--also figures prominently in the Jewish imaginary. This interdisciplinary collection brings together the perspectives of anthropologists and historians to provide both methodological and regional comparative frameworks for exploring the meaning of sports for a minority population.
The Paradoxes of Art
In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they are able to emotionally affect us. He then applies these questions to painting, demonstrating that paintings beckon us to view their contents as real. What we visualise in paintings, he argues, is not simply in our heads but in our world. Paskow also situates the phenomenological approach to the experience of painting in relation to methodological assumptions and claims in analytic aesthetics as well as in contemporary schools of thought, particularly Marxist, feminist, and deconstructionist.
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The Upright Brush
In the history of Chinese calligraphy, few are more famous than the eighth-century statesman Yan Zhenqing (709-785). His style is still taught today as a standard, and Chinese bookstores the world over stock inexpensive reproductions of his works for sale as copybooks. Yet Yan's style cannot be called conventionally attractive. "Correct," "severe," "serious," "forceful" are terms habitually applied to describe his writing--rarely has his calligraphy been called graceful or beautiful. How, then, did Yan earn such an eminent place in the history of art? In The Upright Brush, Amy McNair argues for the political rather than purely aesthetic basis for Yan Zhenqing's artistic reputation. She shows...
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