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Indian Contemporary Films and Societal Reflection
Film has always acted as a window to the society where it brings out various essences of life. India has always shown prominence in representing its inheritance and rich cultural lineage through different layers of films. Right from “Raja Harishchandra” as a full-length feature film in 1913 to the most contemporary films released on OTT, everything and everyone embedded in any of the films made in India has some level of relevance to the time and society, therefore, they can be called contemporary while projecting some form of social message through their presence. The book “Indian Contemporary Films and Societal Reflection” presents a collection of a list of reviews based on some of...
New Media Landscape in India: Dimensions, Issues, Trends, and Future
Proceedings of International Conference of Media and Communication (ICMC-I) on New Media Landscape in India: Dimensions, Issues, Trends, and Future March 30 – 31, 2023 Organized by School of Media and Communication, Adamas University, Kolkata, West Bengal, India Editors: Sayak Pal Sharmila Kayal Noveena Chakravorty
Paul and Etta
Paul, an orphan, and Etta, an only child, have problems getting along when Etta's parents decide to adopt Paul.
Peter and Paul
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Peter and Paul
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Paul and the Printing Press
It was the vision of a monthly paper for the Burmingham High School that first turned Paul Cameron's attention toward a printing press. "Dad, how much does a printing press cost?" he inquired one evening as he sat down to dinner. "A what?" "A printing press." Mr. Cameron glanced up quizzically from the roast he was carving. "Aren't you a trifle ambitious?" Paul laughed. "Perhaps I am," he admitted. "But I have often heard you say, 'Nothing venture, nothing have.'" It was his father's turn to laugh. "Yet why does your fancy take its flight toward a printing press?" Eagerly Paul bent forward.
Mrs. Harris, M.P.
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