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Marvelous Protestantism
Crawford examines accounts of monstrous births in popular pamphlets along with the strikingly graphic illustrations accompanying them, demonstrating how Protestant reformers used these accounts to guide their public through the spiritual confusion and social turmoil of the time.
Adrian Willaert
This key text will be the first full-length research tool on Adrian Willaert, the Renaissance composer of motets and madrigals who came to prominence in the first part of the sixteenth century, and should prove invaluable to researchers and students.
Framing Authority
Writers in sixteenth-century England often kept commonplace books in which to jot down notable fragments encountered during reading or conversation, but few critics have fully appreciated the formative influence this activity had on humanism. Focusing on the discursive practices of "gathering" textual fragments and "framing" or forming, arranging, and assimilating them, Mary Crane shows how keeping commonplace books made up the English humanists' central transaction with antiquity and provided an influential model for authorial practice and authoritative self-fashioning. She thereby revises our perceptions of English humanism, revealing its emphasis on sayings, collectivism, shared resources...
The Pathology of the English Renaissance: Sacred Remains and Holy Ghosts
This examination of the fate of lost ideas after the Protestant reformation explores what might be called the pathology of the Renaissance. The first part of the book treats Spenser's Faerie Queene and Milton's Paradise Lost, concentrating on vacant cultural spaces and abandoned icons to trace the gap between sacred and secular life, between poetry and belief. The second part focuses on Shakespeare's Hamlet and Elizabeth Cary's Tragedy of Mariam to investigate the eschatological implications of this gap, the ways that history is disentangled from memory and nostalgia severed from experience. The book challenges readings of Renaissance culture as an increasingly secular one, proposing that sacred symbols and practices still powerfully organized the English moral imagination, oriented behaviors and arranged perceptions, and specified the limits of the known world.
Divine Art, Infernal Machine
Annotation 'Divine Art, Infernal Machine' presents a history of the printing press & of the ambivalent attitudes of the public toward printers & printing since the days of Gutenberg & his business partner Johann Fust, a gentleman often tellingly confused with the notorious Doctor Faustus.
Lost Property
The English literary canon is haunted by the figure of the lost woman writer. In our own age, she has been a powerful stimulus for the rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the fourteenth through the sixteenth centuries. Lost Property traces the representation of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Queen of Scots, exploring how the woman writer became a focal point for emerging theories of literature and authorship in English precisely because of her perceived alienation from tradition. Through o...
Philosophical Perspectives on Computer-Mediated Communication
The rush to the Information Superhighway and the transition to an Information Age have enormous political, ethical, and religious consequences. The essays collected here develop both interdisciplinary and international perspectives on privacy, critical thinking and literacy, democratization, gender, religion, and the very nature of the revolution promised in cyberspace. These essays are essential reading for anyone who wants to better understand and reflect upon these events and issues.
Curiosities and Texts
And how did literary texts - both as material objects and as vehicles of representation - participate in the process of negotiating the cultural significance of collectors and collecting? For Swann, such superficially disparate artifacts as a gentleman's prized "african charm made out of teeth," the narrative catalogs of English landscape features that begin to appear in the Tudor and Stuart periods, and the famous 1616 folio edition of Ben Jonson, in which a living author for the first time issued his own collected "Works," can be profitably viewed as parts of a single cultural dynamic.
2003 Lectures
None
Subject and Object in Renaissance Culture
This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations.
