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APRESENTAÇÃO A obra "Comunicação, história & economia: contemporaneidades" promove reflexões interdisciplinares que percorrem os caminhos das Ciências Sociais Aplicadas e Humanidades. Problematizam-se múltiplas questões da sociedade contemporânea por meio de pesquisas originais e abrangentes com relevantes discussões teóricas. Pedro Antônio Ursine Krettli, no primeiro capítulo do livro, analisa os recursos e discursos econômicos problematizando o caráter científico das narrativas elaboradas sobre o conceito de modernidade utilizado nas Ciências Sociais. No segundo capítulo, Isaura Mourão e Jaqueline Morelo investigam a construção de parcerias através do diálogo social...
An original and comic voice from contemporary Brazil - Souza Leão orchestrates a carnival among the mad.
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
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"[An] incredibly moving collection of oral histories . . . important enough to be added to the history curriculum" Telegraph "A moving evocation of the 'everyday terror' systematically perpetrated over 41 years of Albanian communism . . . An illuminating if harrowing insight into life in a totalitarian state." Clarissa de Waal, author of ALBANIA: PORTRAIT OF A COUNTRY IN TRANSITION "Albania, enigmatic, mysterious Albania, was always the untold story of the Cold War, the 1989 revolutions and the fall of the Berlin Wall. Mud Sweeter Than Honey goes a very long way indeed towards putting that right" New European After breaking ties with Yugoslavia, the USSR and then China, Enver Hoxha believed ...
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson - born frail and prone to sickness - might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive. As hopes for Japan's youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure - might Yoshiro's great-grandson be the key to saving the last children of Tokyo?
Set against the background of nighttime encounters in the rough streets of Brazil's Salvador da Bahia, this experimental ethnography explores how certain transnational characters are at once co-constructed and reinvented through the legacy of conquest and the global inequalities of late capitalism. Theorizing the desires that drive these encounters as forms of colonial violence and sincere emancipatory strategies, author Samuel Veissiere's gaze travels outward across the Atlantic and the historical violence of empire, and then turns back inward to revisit the violence of his own white colonial desires. (Series: Contributions to Transnational Feminism - Vol. 3)
From a young Palestinian writer comes this compelling look at the Israel/Palestine conflict, from both the perspective of an Israeli soldier in 1949 as well as that of a young Palestinian woman.