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Music as Cultural Heritage and Novelty
This book provides a multifaceted view on the relation between the old and the new in music, between tradition and innovation. This is a much-debated issue, generating various ideas and theories, which rarely come to unanimous conclusions. Therefore, the book offers diverse perspectives on topics such as national identities, narrative strategies, the question of musical performance and musical meaning. Alongside themes of general interest, such as classical repertoire, the music of well-established composers and musical topics, the chapters of the book also touch on specific, but equally interesting subjects, like Brazilian traditions, Serbian and Romanian composers and the lullaby. While the book is mostly addressed to researchers, it can also be recommended to students in musicology, ethnomusicology, musical performance, and musical semiotics.
The Routledge History of Social Protest in Popular Music
The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.
Gilberto Mendes
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Catálogo comentado
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Bravo
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No calor da hora
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A obra violonística de Heitor Villa-Lobos (Brasil) e Leo Brouwer (Cuba)
Este trabalho é um estudo comparativo entre a música para violão de Heitor Villa-Lobos e Leo Brouwer, que tenta provar o grande valor de suas obras para a música violonística do século XX. Ambos têm em comum muitos traços e experiências, como a ressonância da música popular; a música da estética Nacionalista; senso de patriotismo; o envolvimento com esferas governamentais, principalmente em Educação e Cultura; tiveram uma aproximação com a vanguarda (Villa-Lobos em Paris, Brouwer em Varsóvia), mas ambos decidiram continuar seguindo seus próprios estilos. Na maturidade, fizeram um retorno às formas prévias de suas obras e ao uso de temas recorrentes. Suas diferenças tamb...
