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Pictorial Law
We live in a digital Media Society, in which pictures are becoming more and more important. So, human communication is increasingly becoming a visual communication. That is not a new finding. But the new question is: What does this development mean for the law? Up to now the law is the part of the society which is most sceptical towards images. Law has still resisted the visual temptation. This will not last for ever. The rush of pictures in everyday life and in every part of the society is much too strong - and it is even getting stronger. The invasion of images will change the character of modern law deeply. Modern law will become a Pictorial Law.What are the chances and the risks of Pictorial Law and visual law communication? This is the topic of the book.
Global Entertainment Media
Elevates global entertainment to an area of worthy media study that was previously reserved for global news and takes a worldwide approach, encompassing Nigeria, Egypt, Brazil, and India - in addition to the more high-profile, heavily researched areas of Europe and East Asia.
Communication Yearbook 28
Communities are composed of connected individuals. The communication that exists within, about, and between these communities is at the heart of Communication Yearbook 28. This book draws from the broad range encompassed by the communication discipline to review literature that has something to say about community and what the communication discipline has to contribute to understanding this human connection. Offering state-of-the-art research, Communication Yearbook 28 presents: *an influence model addressing the most basic level of community--the personal relationship; *the literature on romantic and parent-child relationships at a distance; *community in terms of those working at home and ...
The Visual Politics of War Volume Two
This second issue of the book series Visual Politics of War focuses on the implications and uncertainties associated with the ‘visual politics’ of the current media hostile environment. Over the years, academics, journalists and individuals have produced a body of work connected directly, if in complex and varied ways, to contemporary ideological beliefs. This volume draws together various scholars from different parts of the world examining facets of the new visualization of wars and crisis in a range of innovative ways. All the contributors here pose questions concerned with the significance of visual political works today, and ask how images and personas have developed and been appropriated by others with their own distinct political agendas.
From Daēnā to Dîn
Die Festschrift enthalt insgesamt 30 Beitrage zu verschiedenen Bereichen der Iranistik. Es handelt sich sowohl um Artikel zu Forschungsschwerpunkten von Ph. G. Kreyenbroek, wie dem Zoroastrismus, der kurdischen Literatur und Religion, insbesondere die der Yeziden und Ahl-e Haqq, aber auch um Beitrage zur iranischen Philologie, der Zeit der Achameniden sowie der Geschichte und Kultur Irans in islamischer Zeit. Die Aufsatze umfassen so unterschiedliche Themen wie z.B. Sinn und Zweck von Ritualen aus der Sicht von Parsi-Priestern, eine Gegenuberstellung von Tawusi Melek und dem Pfau in der Mandaischen Tradition, Zeitkonzepte des Yezidismus, einen Uberblick uber die persische Presse der letzten Jahrzehnte, judaische Gesandte im Achamenidenreich, Ohrmazd in der soghdischen Uberlieferung, Modalitatstypologie im Kurdischen und Hawrami oder baktrische Demonstrativpronomina. Ein Uberblick uber das Werk Kreyenbroeks sowie ein Verzeichnis seiner Schriften erganzen den Band.
Bilder machen Sieger - Sieger machen Bilder
Machen sich Journalisten selbst zu Wahlkampfhelfern? Kommentieren Sie mit ihrer Bilderauswahl das politische Geschehen anstatt zu informieren? Tageszeitungen haben längst auf die veränderte Informationsaufnahme ihrer Leser reagiert. Ohne Visualisierung keine Nachricht. Daraus hat sich eine journalistische Jagd auf möglichst spektakuläre und exklusive Bildmotive entwickelt. Moritz Ballensiefen geht im Medienwahlkampf 2005 inhaltsanalytisch auf Spurensuche nach journalistischen Darstellungsmustern.
Visual Hegemonies
The books in this series reconstruct and explain the shifting balances, the complementarity and contradictions, between the potentials of improved intercultural and transcultural visual communication and its strategic exploitation through visual hegemonies. The series will also enhance the cooperation of the computer sciences, humanities, and social sciences and the development of software for modeling key visuals from various genres, media, and cultural zones. This first volume - Visual Hegemonies: An Outline - exemplifies this international research endeavor in a general trans-disciplinary outline as well as case studies from the perspectives of musicology, psychology, and the social sciences.
Handbuch Medienethik
Die Medienethik als Form der angewandten Moralphilosophie leistet einen systematischen Beitrag auf der Suche nach einem angemessenen Umgang mit der Fülle unterschiedlicher medialer Angebote und Formate. Im interdisziplinär ausgerichteten „Handbuch Medienethik“ systematisieren renommierte Autorinnen und Autoren medienethisch relevante Konzeptionen und Begriffe und typologisieren relevante Praxisfelder. Jenseits der tagesaktuell aufgeregten Ethik-Debatten werden Fundamente und Stützpfeiler medienethischen Denkens und Handelns analysiert. Dabei werden Begründungen, Institutionen, Anwendungsfelder, Spannungsfelder, Grenzbereiche, Länderperspektiven und Initiativen der Medienethik dargestellt und reflektiert.
space.time.narrative
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...
