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Famous Ottoman Women
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The City of the Sultan, and Domestic Manners of the Turks, in 1836
Julia Pardoe (1804-62) was famous for her historical biographies (some of which are also reissued in the Cambridge Library Collection), but this two-volume work, first published in 1837, arose from a visit to Turkey made by Pardoe and her father in 1836. It was very successful, with new editions appearing over the next twenty years, while Pardoe was considered to be second only to Lady Mary Wortley Montagu among female writers on Turkey. Attempting to give her readers 'a more just and complete insight into Turkish domestic life, than they have hitherto been enabled to obtain', in Volume 2 Pardoe travels in western Turkey, visiting Bursa, the former Ottoman capital, and encountering dervishes, hot springs and tortoises, before returning to Europe via the Black Sea and the Danube. Her lively and observant account of life in the declining but still powerful Ottoman empire remains of great interest.
Ottoman Women Builders
Examined here is the historical figure and architectural patronage of Hadice Turhan Sultan, the young mother of the Ottoman Sultan Mehmed IV, who for most of the latter half of the seventeenth century shaped the political and cultural agenda of the Ottoman court. Captured in Russia at the age of twelve, she first served the reigning sultan's mother in Istanbul. She gradually rose through the ranks of the Ottoman harem, bore a male child to Sultan Ibrahim, and came to power as a valide sultan, or queen mother, in 1648. It was through her generous patronage of architectural works-including a large mosque, a tomb, a market complex in the city of Istanbul and two fortresses at the entrance to th...
Ibrahim the Mad and Other Plays
Since the middle of the twentieth century, Turkish playwriting has been notable for its verve and versatility. This two-volume anthology is the first major collection of plays in English of modern Turkish drama, a selection dealing with ancient Anatolian mythology, Ottoman history, contemporary social issues and family dramas, ribald comedy from Turkey’s cities and rural areas. It also includes several plays set outside Turkey. The two volumes together will feature seventeen plays by major playwrights published or produced from the late 1940s to the present day, with volume 1,“Ibrahim the Mad” and Other Plays, encompassing plays from the 1940s through the 1960s, and volume 2, "I, Anato...
The Forbidden Love
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The Imperial Harem
The unprecedented political power of the Ottoman imperial harem in the sixteenth and seventeenth centuries is widely viewed as illegitimate and corrupting. This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.
The Making of Selim
The father of the legendary Ottoman sultan Suleyman the Magnificent, Selim I ("The Grim") set the stage for centuries of Ottoman supremacy by doubling the size of the empire. Conquering Eastern Anatolia, Syria, and Egypt, Selim promoted a politicized Sunni Ottoman* identity against the Shiite Safavids of Iran, thus shaping the early modern Middle East. Analyzing a wide array of sources in Ottoman-Turkish, Persian, and Arabic, H. Erdem Cipa offers a fascinating revisionist reading of Selim's rise to power and the subsequent reworking and mythologizing of his persona in 16th- and 17th-century Ottoman historiography. In death, Selim continued to serve the empire, becoming represented in ways that reinforced an idealized image of Muslim sovereignty in the early modern Eurasian world.
