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Photography in the Third Reich: Art, Physiognomy and Propaganda
This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the util...
Still Lives
How German Jews used photographs to document their experiences in the face of National Socialism Still Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fi...
BorderCrossings
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Visions of Nature
"Visions of nature" are the ideas that people hold of what nature is and how we should relate to it. These visions are important for the design of democratically grounded landscape and nature policies. These contributions were presented at an expert meeting at Radboud University, June 2001
Exhibiting the Past
With respect to public issues, history matters. With the worldwide interest for historical issues related with gender, religion, race, nation, and identity, public history is becoming the strongest branch of academic history. This volume brings together the contributions from historians of education about their engagement with public history, ranging from musealisation and alternative ways of exhibiting to new ways of storytelling.
Role of the Romanies
Since their arrival in Europe at the beginning of the eleventh century, the "Gypsies" have stimulated and fascinated the European imagination, but have also always been perceived as "other" and marginalised. This title is split into four parts and seeks to address the questions raised by the ambivalent encounter of the "Gypsies" with European cultures. The volume begins with three chapters about the genesis, development and scope of Romany Studies. Constructions of Romany culture and identity are at the heart of the second part. Part three focuses on nineteenth and twentieth century literary constructions of Romany identity, be it from a gadzo or Romany perspective. The final part tackles the question of how the role of the Romanies will be remembered, recorded and commemorated.
Sense(s) of Heimat
The German notion of ‘Heimat’ is highly subjective, ambiguous and historically charged. Senses of belonging and identity associated with Heimat render the concept vulnerable to appropriation and instrumentalization by different political forces. Thereby, a static and exclusive understanding of Heimat is often depicted. This book drafts a counternarrative to demystify the contested concept. On the one hand, Heimat is conceptualized as spatial through emotional-geographical approaches to human-place relations. And on the other hand, the concept is placed in a global context through the perspective of international migration. The author contributes to the understanding of Heimat as an emotional map of self-location. This subjective map is neither purely static nor dynamic - it is characterized by simultaneities of opposing processes.
Rethinking Modern Austrian Art Beyond the Metropolis
This study examines the role played by regional cultures in modern art and visual culture in Central Europe between 1918 and 1938. Analysing paintings, photographs, prints, and illustrated magazines in relation to topics such as tourism, social activism, rural exoticism, gender, and ethnic diversity, the book offers a fresh perspective on Central European art and visual culture. It pays particular attention to Austria, a country often ignored in histories of modernism in Central Europe, yet one where the countryside gained high visibility as a part of modern culture between the wars. Examples from Czechoslovakia and Hungary also play an important role in comparison and challenge the national...
