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Subject to Change
This collections of essays is a reprint of a special issue of the Journal of English and Foreign Languages on Teaching Literature . The contributions to this anthology reflect the debate in the thinking about English/ Literary Studies. It discusses the refiguring of internationalism in the context of a new global order.
Indian Poetry
This Anthology Of Papers Presented At A Seminar Organised By The Sahitya Akademi In March 1988, Takes Stock Of The Indian Poetry Of The Five Decades After Independence, Raises Basic Conceptual Questions, Examines Paradigm Shifts And Interrogates The Established Canons By Foregrounding Marginalised Voices. The Papers Examine The Growth Of Modern Sensibility In Indian Poetry In Specific Linguistic Contexts, Relates It To General Cultural Issues And Examines Post-Colonial Avant-Grade Trends Including The Feminist And The Dalit Movements. The Papers Are Collected Under Three Heads: ýModernism In Retrospectý Examines The Historical, Political And Aesthetic Aspects Of Modernism;ýAfter Modernism...
That Man on the Road
The Second Anthology Of Telugu Short Fiction Edited By Novelist, Short-Story Writer, Translator, Teacher And Critic, Ranga Rao, That Man On The Road Is The Successor To The Critically Acclaimed Classic Telugu Short Stories. Bringing Together Some Of The Most Renowned Exponents Of The Contemporary Telugu Short Story, The Eighteen Stories In This Collection Are Representative Of Experiences That Are At Once Sharply Individual And Undeniably Universal. From The Horrific But Apt View Of Justice Advocated In Cattle Thief To The Delightful Verbal Sparring In Can T Dance? Blame The Percussionist ; From The Disturbing Vision Of Dehumanizing Poverty In Slush To The Hilarious Prospect Of Becoming A Stock-Market Guru In By The Grace Of Our Goddess Of Wealth ; From The Domestic Squabbles Of It Is The Way It Is , To The Futuristic World Of Manava Factor , These Stories Straddle Realms As Diverse As Dalitism, Feminism, Religious Fanaticism, Naxalism, Personal Relationships And Individual Idiosyncrasies. Carefully Chosen And Skilfully Translated, This Anthology Is Part Of The Series Of Contemporary Short Fiction In Translation Published By Penguin.
The Reception of Aeschylus’ Plays through Shifting Models and Frontiers
The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus’ plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies.
Indira Bai
Indira Bai, born in an orthodox Saraswat Brahmin family in the small town of Kamalapura, is married and widowed as a child. The bright, curious girl resists forces of social conservatism—the mindless chores and cruel rituals of widowhood. To reform her, the head of the religious mutt is brought in. When he tries to seduce her, a distraught Indira runs away to eminent lawyer Amrita Raya’s house. Encouraged in her pursuit of knowledge and freedom, Indira acquires a matriculation degree and later chooses to marry Assistant Collector Bhaskara Rao. This novel, laced with feminist intent, traces Indira’s self-fashioning into a modern, educated, and assertive woman. Published in 1899, Indira Bai documents the transformation of the Saraswat Brahmin community based in the erstwhile South Canara region of Karnataka due to the encounter between the Kannada social world and colonial modernity. Simultaneously, this text of social history represents the pan-Indian churning provoked by the reform movement in the nineteenth century, with its central focus on the condition of women.
The Caravan
The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world. "India's best English language magazine", The Guardian, London "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.
Similarity and Difference in Translation
Revised version. These essays study the grand paradox of similarity and difference from four different methodological standpoints: rhetoric, epistemology, semiotics, and culture. Paperback. 6 x 9 in. 542 pages
Feminism
Most urban people are familiar with the word Feminism, but the understanding of it remains vague and there is a general rejection of its relevance in the familial context. In reality, feminism wants you to be whoever you are but with a political consciousness. You want to be a feminist because you want to be exactly who you are. This book claims to be a complete guide regarding Feminism and its changing meanings. It tells you about the history of Feminism, theoretical perspectives on Feminism, various feminist theories like Liberal, Radical, Marxist, Psychoanalytical, Existential, Cultural, Lesbian, Eco, Post-Modern Feminism, Post-Feminism, Black-Feminism, French Feministic theory, etc. It a...
Translation Studies
In the late 1970s a new academic discipline was born: Translation Studies. We could not read literature in translation, it was argued, without asking ourselves if linguistic and cultural phenomena really were 'translatable' and exploring in some depth the concept of 'equivalence'. When Susan Bassnett's Translation Studies appeared in the New Accents series, it quickly became the essential introduction to this new subject. Susan Bassnett tackles the crucial problems of translation and offers a history of translation theory, beginning with the ancient Romans and encompassing key twentieth-century structuralist work. She then explores specific problems of literary translation through a close, practical analysis of texts, and completes her book with extensive suggestions for further reading. Twenty years after publication, the field of translation studies continues to grow. Updated for the second time, Susan Bassnett's Translation Studies remains essential reading for anyone new to the field.
Wild Women
The names of Mirabai, Akka Mahadevi and Andal, are known to many, but innumerable women poets remain relatively unknown. When we hear of them, it is invariably as plaster saints or meek followers. It is time to smell the danger in their words again, to listen to their feral sensuality, their searing questions about custodians of gender and faith. It is time to tune into their brazenness, their heartbreaking longing. Not just for their sake but for ours too. In this anthology of sacred poetry that arrives after the much-loved book, Eating God, Arundhathi Subramaniam weaves together haunting voices of, by and for women across the Indian subcontinent. Here is a lineage of audacious woman-centred spirituality that traverses the poetry of ancient Buddhist nuns, Bhakti and Sufi mystics, tantrikas and Vedantins. There are women here, and men singing as women, and both raising their voices in praise of the sacred feminine. Brought to us through translation, these poems surprise with how intimately familiar their ravenous yearnings and ecstatic freedoms are. Wild Women invites us to reclaim an explosive inheritance of female power, rapture and wisdom.
