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The Cane
It will be the biggest send off any teacher has ever had. No teacher is as loved. After 45 years as a dedicated teacher, Edward is looking forward to the imminent celebration to mark his retirement. But his home is under siege. A mob of angry students have gathered. A brick has been thrown through the window, he and his wife haven't left the house for six days, and now his estranged daughter has arrived with her own questions. Why would they attack the most popular teacher in the school? The Cane explores power, control, identity and gender as well as considering the major failure of the echo-chamber of liberalism.
The Glow
People find me. When it's dark. 1863. An asylum. A woman locked in a windowless cell, with no memory as to who she is, or how she arrived there. When spiritualist medium Mrs Lyall requires a new assistant, this nameless woman seems the perfect candidate. But as the woman's past begins to reveal itself, so do new powers neither are prepared for. Alistair McDowall's haunting new play The Glow was the 2018 Pinter Commission, an award given annually by Lady Antonia Fraser to support a new commission at the Royal Court Theatre. This edition was published to coincide with the world premiere at London's Royal Court Theatre in January 2022.
Victory Condition
“A thousand people are taking a sip of coffee within the city limits of Johannesburg, each unaware of the other doing it, each one necessarily thinking they are the only one.” An attempt to get to grips with the fact that everything happens at once. And to see if there’s anything we can do about it. “Find the connection between where you are and where I am. Open up the space between us and do something.”
Snatches
"Curated by Royal Court artistic director, Vicky Featherstone, the monologues for Snatches were commissioned to mark the centenary of women's suffrage in the United Kingdom. They were broadcast on BBC Four in 2018, directed by Vanessa Caswill, Vicky Featherstone and Rachna Suri, ..."--Page [4] of cover.
How to Hold Your Breath
Because we live in Europe. Because nothing really bad happens. The worst is a bit of an inconvenience. Perhaps not such a good mini break. But really in the grand scheme of life, not so bad. Starting with a seemingly innocent one night stand, this dark, witty and magical play by Zinnie Harris dives into our recent European history. An epic look at the true cost of principles and how we live now, How to Hold Your Breath premiered at the Royal Court Theatre in February 2015.
Bad Roads
Natal'ya Vorozhbit's play Bad Roads is a heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime.
On Bear Ridge
One minute we had customers, the next minute there was no-one. In a lost village, blurred by redrawn borders, hidden under a crumb on the map, Bear Ridge Stores still stands. After a hundred years, the family butchers and grocers – a place for odds and ends, contraband goods, and the last petrol pump for 30 miles – is now silent. But owners John Daniel and Noni are not leaving. They are defiantly drinking the remaining whiskey and remembering good times, when everyone was on the same side and the old language shone. Outside in the dark, a figure is making their way towards them. A semi-autobiographical story about the places we leave behind, the indelible marks they make on us, and the unreliable memories we hold onto.
Shoe Lady
We've got no money but we're still in Waitrose twice a day. Because going to Tesco just makes life not even worth living. Viv has lost a shoe. They're her work shoes, her weekend shoes, her only pair of shoes, and she doesn't know what to do. The curtains are falling, her foot is bleeding, and she's starting to feel a little overwhelmed. But all will be well once she finds that missing shoe. Funny, unnerving and precise, E. V. Crowe's Shoe Lady premiered at the Royal Court Theatre, London, in March 2020.
My Mum's a Twat
Have you ever tried to sustain a relationship with a twat? It's hard work and you need to be completely not a twat yourself if you want any success in this. Which is really hard when you've just started being a teenager. (As if growing up wasn't hard enough already...) I remember thinking if you were 'the chosen' one, why does that mean your dress sense has to be so shit? A celebration of teenage rebellion and resilience. Anoushka Warden's debut play was directed by Royal Court Artistic Director Vicky Featherstone and Jude Christian.
Modernism and Scottish Theatre since 1969
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.
