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The Westbridge
'Everyone lived perfectly happily round here together before you young ones try to integrate and confuse things.' The accusation of a Black teenager sparks disturbance on the South London streets. While tensions rise and local rioting starts, a couple from very different backgrounds navigate the minefield between them, their families and their disparate but coexisting neighbourhood. Joint winner of the 2011 Alfred Fagon award (under its former title SW11), The Westbridge showcases an array of multiple voices. Presenting a microcosm of multicultural society, this depiction of London's melting-pot spans ethnicities, religions, generations and outlooks. A very real, convincing drama of human individuals underpins this ambitious, far-reaching and relevant play. Picking apart an intricate tangle of cultures, religions and generations, The Westbridge showcases an array of voices from modern society with humour, style and bite.
My White Best Friend
"Based on the original concept by playwright Rachel De-Lahay and commissioned by Everyman & Playhouse theatres, Eclipse and the Royal Exchange, this follow-up volume to My White Best Friend (And Other Letters Left Unsaid) collects a series of 20 personal letters, monologues and writings by BIPOC writers from across the North of England. Sometimes funny, sometimes poignant, sometimes political and full of fire, these letters explore the personal and political of the things we don't dare say - even to those closest to us. Contributors include: Yusra Warsama, Malika Booker and Jamal Gerald"--
Routes
Anka got in and is here for good. Olufemi is being coached to break back in. Bashir has been here forever but he's just been sent to limbo. Lisa wants to send them all home. Welcome to England. A journey into to the heart of what it is to be a citizen, and finding a place where you belong. A cutting new play about immigration and exile, and what happens when people fall through the cracks, Routes opens up the borders of friendship and family.
Affects in 21st-Century British Theatre
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
Circles
–So where you going? And isn't it a little past your bedtime? –Coming from you? –This ain't no open top tourist thing you know? It's the 11. Circling the outskirts of Birmingham on the Number 11 bus, two teenagers develop an unlikely friendship. Meanwhile a mother observes her daughter's attempt to leave a violent relationship. Against the backdrop of a changing city everyone involved is forced to re-examine what they thought they knew about love, trust, family and friendship. Rachel's De-lahay's vivid and powerful new play boldly explores cycles of violence and what it takes to break them, examining the effects of such violence on a generation of young women. Circles received its world premiere at the Birmingham Rep on 9 May 2014.
The Last Yankee
Set in a New England state mental hospital in the early 1990s when Prozac was routinely adminstered to treat depression, The Last Yankee sees Miller exploring aspects of the American Dream through the lives of four characters who question and grapple with definitions of success, health and fulfillment. Described by Miller as 'a comedy about a tragedy' the one act play highlights conflicts between men and women, between the working class and the capitalist businessman and between interior and exterior realities.
Snatches
"Curated by Royal Court artistic director, Vicky Featherstone, the monologues for Snatches were commissioned to mark the centenary of women's suffrage in the United Kingdom. They were broadcast on BBC Four in 2018, directed by Vanessa Caswill, Vicky Featherstone and Rachna Suri, ..."--Page [4] of cover.
Classical And Quantum Dynamics In Condensed Phase Simulations: Proceedings Of The International School Of Physics
The school held at Villa Marigola, Lerici, Italy, in July 1997 was very much an educational experiment aimed not just at teaching a new generation of students the latest developments in computer simulation methods and theory, but also at bringing together researchers from the condensed matter computer simulation community, the biophysical chemistry community and the quantum dynamics community to confront the shared problem: the development of methods to treat the dynamics of quantum condensed phase systems.This volume collects the lectures delivered there. Due to the focus of the school, the contributions divide along natural lines into two broad groups: (1) the most sophisticated forms of the art of computer simulation, including biased phase space sampling schemes, methods which address the multiplicity of time scales in condensed phase problems, and static equilibrium methods for treating quantum systems; (2) the contributions on quantum dynamics, including methods for mixing quantum and classical dynamics in condensed phase simulations and methods capable of treating all degrees of freedom quantum-mechanically.
Black Lives, Black Words
Selected and edited by the award-winning American playwright Reginald Edmund, who produced Black Lives, Black Words across the US, which premiered in Chicago, July 2015. The international project has explored the black diaspora’s experiences in some of the largest multicultural cities in the world, Chicago, Minneapolis, Cleveland, Toronto and London. Over sixty Black writers from the UK, USA, and Canada have each written a short play to address Black issues today. "I started Black Lives, Black Words because I felt there needed to be an opportunity for me as a playwright to speak out against the sins committed in this world inflicted upon black bodies: Michael Brown, Trayvon Martin, Rekia B...
The Secret Theatre
'It's not enough that men are watched; they must think themselves watched, even when they are not' Spymaster Sir Francis Walsingham oversees a vast surveillance network from the heart of Elizabeth I's court. As the nation's relationship with Europe deteriorates and civil unrest grows, Walsingham adopts ever more extreme tactics to keep his queen and country safe. But does he risk losing control of the apparatus he has created and destroying the lives of those closest to him? And can such safety ever be achieved? The Secret Theatre asks what we are prepared to sacrifice in order to ensure our safety. Shot through with moments of the blackest humour, this smart, tense thriller has been published to coincide with the world premiere at the Sam Wanamker Playhouse in November 2017 directed by Matthew Dunster.
