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And Warren Niesłuchowski was There
Zawiera głównie korespondencję mailową oraz teksty Warrena Niesłuchowskiego.
And Warren Niesluchowski Was There
A composite portrait of a wandering dandy scholar whose life and art merged in the margins of the art world Warren Niesluchowski (1946-2019), one of the most charismatic and eccentric figures in the art world, was at once an exhilarating conversationalist, a polymath, an attentive companion of artists, a polyglot translator, a networker without status, a walking bibliography and a dandy, to name a few. From 2003 till the end of his life, he had no home of his own, instead traveling from city to city to live as the guest of others. He lived--as he himself used to say, paraphrasing Duchamp and Derrida--the life of a "guest, host, ghost." This publication focuses on Niesluchowski's homeless years, and features his email correspondence with close friends, many of whom are remarkable artists and intellectuals; artworks made about, or in partnership with, Niesluchowski; and documentation of his travels. This material offers a complex picture of a radical, transcultural existence, with contributions from Barry Schwabsky and Carol Szymanski, Bettina Funcke, Joan Jonas, Michael Taussig, Raymond Pettibon, Rebecca Quaytman and many more.
A Wall of Two
"Ilona Karmel once wrote of the work of turning 'the cold, old-fashioned, iron key of memory.' These recovered poems of Ilona and her elder sister Henia open the space behind memory's door, and it is on fire with defiant passion -with longing, with terror, and the raw drive to bear witness in the one way possible to the life-in-death of the camps. Henia writes, 'These poems came about when I was still creating myself.' The two sisters here are speaking themselves and each other into existence; and this essential work of claiming our humanity has rarely been so costly, and so moving."—Allen Grossman "The book is a riveting read. The subject, of course, is very compelling and the poems move with great plainness, vividness, and force. The girls survived, though barely, because they were young and strong and because the German war machine needed their bodies. The book is artfully designed to convey the arc of their story from capture to freedom in 1946, and there is, as far as I know, nothing quite like it in the vast literature of the Holocaust. A unique and moving book, of historical significance, rendered into English by one of our most gifted American poets."—Robert Hass
Dominik Lejman
In the late 1990s, Polish artist Dominik Lejman (born 1969) began extending the boundaries of his paintings by combining them with videos. Lejman pays particular attention in his work to architecture and spaces, and to how they influence or determine people's patterns of movement.
Tony Oursler
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A Wall of Two
Buchenwald survivors Ilona and Henia Karmel were seventeen and twenty years old when they entered the Nazi labor camps from the Kraków ghetto. These remarkable poems were written during that time. The sisters wrote the poems on worksheets stolen from the factories where they worked by day and hid them in their clothing. During what she thought were the last days of her life, Henia entrusted the poems to a cousin who happened to pass her in the forced march at the end of the war. The cousin gave them to Henia's husband in Kraków, who would not locate and reunite with his wife for another six months. This is the first English publication of these extraordinary poems. Fanny Howe's deft adaptations preserve their freshness and innocence while making them entirely compelling. They are presented with a biographical introduction that conveys the powerful story of the sisters' survival from capture to freedom in 1946.
Critical Vehicles
Critical Vehicles is the first book in English to collect Wodiczko's own writings on his projects. Wodiczko has stated that his principal artistic concern is the displacement of traditional notions of community and identity in the face of rapidly expanding technologies and cultural miscommunication. In these writings he addresses such issues as urbanism, homelessness, immigration, alienation, and the plight of refugees. Fusing wit and sophisticated political insight, he offers the artistic means to help heal the damages of uprootedness and other contemporary troubles.
The Trouble with Pleasure
An investigation into the strange and troublesome relationship to pleasure that defines the human being, drawing on the disparate perspectives of Deleuze and Lacan. Is pleasure a rotten idea, mired in negativity and lack, which should be abandoned in favor of a new concept of desire? Or is desire itself fundamentally a matter of lack, absence, and loss? This is one of the crucial issues dividing the work of Gilles Deleuze and Jacques Lacan, two of the most formidable figures of postwar French thought. Though the encounter with psychoanalysis deeply marked Deleuze's work, we are yet to have a critical account of the very different postures he adopted toward psychoanalysis, and especially Laca...
Rave Culture and Religion
Vast numbers of western youth have attached primary significance to raving and post-rave experiences. This collection of essays explores the socio-cultural and religious dimensions of the rave, 'raving' and rave-derived phenomena.
Unnamable
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and recognition and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a discursive medium that sets up the conditions for a politics to occur. By approa...
