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Belgian architect Wim Cuyvers considers architecture not as a goal but more as a tool with which a result can be reached. This publication, with a glow in the dark cover, presents a collection of his writings from the last five years, that introduce us to his manner of looking at architecture, his literary inspirations and his passions.
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Compiled by the CROSSTALKS program for policy-probing scientific issues, this volume reflects on the meaning and impact of existing and future interfaces--and what the added value could be. Offering a broad analysis of the individual, social, and economic impacts that the next generation of interfaces will have, its unique interdisciplinary approach combines the perspectives of artists, academics, and businesspeople.
"New connoisseurs take the opportunities offered by the typically Dutch phenomenon of landscape being continuously adapted to changing demands, always with temporary leftovers awaiting their turn for utilitarian recycling. New ways of thinking about landscape design originate from this specialist landscape use. Bas Princen's arguments take the form of superb photography. The pictures produce awareness about the complex qualities that construct contemporary landscape, such as accessibility, wind direction, water currents and communication networks. In addition the use of certain products, such as kites, mountain bikes and GPS monitors has a bearing on the way in which landscape is understood. Bas Princen enters these landscapes with the slowness, sharpness and precision of a large-format view camera. Although he has a keen eye for user interpretations and has produces over 40 awesome and puzzling pictures, Artificial Arcadia is mainly a book about landscape and its design. Texts by Lars Lerup, Bart Lootsma, Wim Cuyvers, Jeff Derksen and Dirk Sijmons reflect on the photographs and present different views on landscapes in transition" -- Publiarq: publicaciones arquitectura y arte.
This book contains 20 essays on macroecomics.
How architecture in Belgium, from its very beginnings, has epitomized modernity and singularity. Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In Something Completely Different, Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks at the activities of architects from the past two centuries to better understand political evolutions, social gaps, aesthetic considerations, housing and planning, transport and infrastructure, order and chaos, and culture and ecolo...