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A leitura deste trabalho te localiza dentro da crueldade do sistema educacional, da inadequação dos currículos, e da pobreza de conteúdo dos livros textos para quem: não é homem branco, não é heterossexual, não é católico, é surdo e mora em quilombos. E a certeza que uma mudança tem que ser feita imediatamente, para a saúde da educação e do povo brasileiro. As propostas de solução são muito legais, dentro de todos os significados dessa palavra, portanto cabe ao sistema educacional simplesmente fazer valer a lei.
This brand new comprehensive text and reference book is designed to cover all the essential elements of food science and technology, including all core aspects of major food science and technology degree programs being taught worldwide. Food Science and Technology, supported by the International Union of Food Science and Technology comprises 21 chapters, carefully written in a user-friendly style by 30 eminent industry experts, teachers and researchers from across the world. All authors are recognised experts in their respective fields, and together represent some of the world’s leading universities and international food science and technology organisations. Expertly drawn together, produ...
Do not be afraid, join us, come back! You've had your anti-communist fun, and you are pardoned for it-time to get serious once again!-Slavoj Zizek Responding to Alain Badiou's 'communist hypothesis', the leading political philosophers of the Left convened in London in 2009 to take part in a landmark conference to discuss the perpetual, persistent notion that, in a truly emancipated society, all things should be owned in common. This volume brings together their discussions on the philosophical and political import of the communist idea, highlighting both its continuing significance and the need to reconfigure the concept within a world marked by havoc and crisis.
In a world where racial tensions and racial and ethnic inequality seem to be increasing, it is instructive to look back over the decade of the 1990s to examine what academic researchers have had to say about the global nature of race, racism, and racial inequality. Almost every country with a multiethnic population faces these problems. This collection of essays provides an eclectic but accessible mix of readings on perspectives from such countries as Australia, Russia, France, Chile, West Africa, India, and the United States. Emphasis is placed on positive strategies to help reduce or eliminate economic inequality. The implications for the demise of affirmative action programs are also discussed. Pre-dating the United Nation's World Conference on Racism, the readings anticipate many of the recommendations and insights that have now come to be the core of international strategies. This collection will prove valuable to all those concerned with ending racism and achieving racial and ethnic economic equality.
The revered Brazilian songwriter and novelist “has breathed the story of a whole country into a single, unforgettable man with a soul as big as Brazil” (Nicole Krauss, author of Forest Dark). As Eulálio d’Assumpção lies dying in a Brazilian public hospital, his daughter and the attending nurses are treated—whether they like it or not—to his last, rambling monologue. Ribald, hectoring, and occasionally delusional, Eulálio reflects on his past, present, and future—on his privileged, plantation-owning family; his father’s philandering with beautiful French whores; his own half-hearted career as a weapons dealer; the eventual decline of the family fortune; and his passionate co...
"Brazil was the leading world producer of gold and of diamonds between the mid-18th century and the mid-19th century. At the present time, it is the leading world producer of iron ore, tin and niobium, and an important producer of manganese, aluminium, silicon, tantalum, rare earths, graphite, magnesite and countless other ores.....Brazil is the leading world producer of tourmaline (of all colors), of quartz (colorless, rutilated, amethyst and agate), of beryl (aquamarine, morganite and heliodore, and the second ranking world producer of emerald), of topaz (imperial, blue and colorless), alexandrite, euclase, phenakite and many others" INTRODUCTION.
Deriving its title from the Paul Klees pedagogical sketchbook of the same name
Alberto Breccia is recognized as one of the greatest international cartoonists in the history of comics and Mort Cinder is considered one of his finest achievements. Created in collaboration with the Argentine writer Héctor Germán Oesterheld, best known in the U.S. for his politically incendiary sci-fi masterpiece, the Eisner Award-winning The Eternaut, Mort Cinder is a horror story with political overtones. This episodic serial, written and drawn between 1962–1964, is drawn by Breccia in moody chiaroscuro. The artist’s rubbery, expressionistic faces capture every glint in the eyes of the grave robbers, sailors, and slaves that populate these stories; while the slash of stripes of prisoners’ uniforms, the trapeziums of Babylon, and more create distinct and evocative milieus.
Este livro surgiu a partir das discussões realizadas na disciplina “Cartografia no Ensino de Geografia”, com alunos de graduação em Geografia da UFPA, no ano de 2013, e também de resultados obtidos com a execução do projeto “A cartografia em sala de aula: capacitação de professores da rede pública de ensino no uso da cartografia e de geotecnologias”, financiado pela Pró-Reitoria de Extensão da UFPA. Notamos durante a realização das atividades da disciplina e do projeto que há uma necessidade significativa de referências bibliográficas sobre o uso da cartografia na prática de ensino-aprendizagem, que aborde as novas tecnologias da cartografia que podem ser aplicadas em sala de aula, como forma de subsidiar o trabalho docente e tornar as aulas mais atrativas. Assim, reunimos uma série de artigos que, além do mapa, apresentam novas formas de ensino, que complementem a aula expositiva de geografia.
Carcara Photo Art's Brazilian Photography collection presents Jurandy Valença. In his own words: “I create images, I don’t create photographs. My production comes from everyday references. The main issue in my work is time. The memory.”