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From the discomfort of my own home I buy dresses, look up recipes, do online surveys. In Nostalgia Has Ruined My Life, an unnamed young woman in her late twenties navigates unemployment, boredom, chronic illness and online dating. Her activities are banal -- applying for jobs, looking up horoscopes, managing depression, going on Tinder dates. 'I want to tell someone I love them but there is no one to tell,' she says. 'Except my sister maybe. I want to pick blackberries on a farm and then die.' She observes the ambiguities of social interactions, the absurd intimacies of sex and the indignity of everyday events, with a skepticism about the possibility of genuine emotion, or enlightenment. Lik...
New collection of essays on the relationships between humans and animals, by Vanessa Berry, author of Mirror Sydney, and the memoir of adolescence Ninety9. Gentle and Fierce focuses on the world of animals, and the way their presence has shaped the author’s attitudes and her sense of self. Having spent her life in city environments, Vanessa Berry’s experiences with animals have largely been through encounters with urban creatures, representations of animals in art and the media, and as decorative ornaments or kitsch. The essays suggest that these mediated encounters, rather than being mundane or removed from nature, provide meaningful connections with the animal world, at a time in which...
The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk ...
‘Chaotic modernity is . . . narrated with astute clarity’ i-D Magazine A fearless novel that tackles a difficult subject, I laugh me broken tells the story of a woman finding the courage to face her genetic heritage. When Ginny makes contact with her estranged relatives and discovers that her genetic heritage may contain a devastating fault, she bolts to Berlin, leaving her loving fiancé in the dark. Rather than face up to the life-changing implications of this news, she loses herself in the transient, hedonistic city. As she meets its inhabitants and absorbs their tangle of stories, she tries to gather the courage to take the genetic test that will either free her or define her future. I laugh me broken is a sharply-drawn, courageous novel exploring the human condition, the inescapability of the past and the choices that are ours to make.
Fiction. In her debut collection of fifteen short stories, Amina Cain makes ordinary worlds strange and spare and beautiful. A woman carves invisible images onto ice, a pair of black wings appears in front of a house, and a restless teacher sits in a gallery of miniature rooms. As Miranda Mellis describes, "The revelatory pleasure and hope [in these stories] emanate from an artistry driven by ethical desire." "I highly recommend reading I Go To Some Hollow", says Bhanu Kapil, "because of what it teaches you about love, and the relationship between love and writing." I GO TO SOME HOLLOW is published as part of the TrenchArt: Tracer Series, with an Introduction by Bhanu Kapil and collaborative visual art by Ken Erhlich and Susan Simpson.
GOING DOWN SWINGING is an Australian based literary magazine featuring short stories, flash fiction, poetry, comic art and spoken word, all in the one book/CD package. GDS publishes work from all over the globe. Started in 1980 by Australian writers Myron Lysenko and Kevin Brophy, GDS has passed through the hands of various editors including Lauren Williams, Grant Caldwell, Lyn Boughton, Louise Craig, Adam Ford, Anna Hedigan, Steve Grimwade and alicia sometimes as well as a plethora of readers, typesetters, designers and proofreaders whose assistance has been invaluable in allowing GDS to survive for nearly 30 years.
An elegy for a friendship and artistic partnership cut short by death, exploring the space between activism and art, effaced histories, and abandoned futures.
When many voices are joined together, with courage, change can happen. In 1966, more than two hundred courageous Aboriginal people walked off the Wave Hill Cattle Station in the Northern Territory. Led by Vincent Lingiari, these stockmen and their families were walking together to fight for equal pay and land rights. Exquisitely illustrated and designed, this non-fiction picture book brings a landmark historical event to a new generation. Many people have seen the iconic photograph of Gough Whitlam pouring a handful of red soil into the hands of Vincent Lingiari – a symbol of the legal transfer of Gurindji land back to the Gurindji people – and recognise this as a key moment in the ongoing land rights movement. Freedom Day delves into the events that led up to this moment, and makes a rallying cry for the things that still need to change in its wake. Thomas Mayor co-authors this book with Rosie, Vincent Lingiari’s granddaughter, to bring this vital story to life. The story has been written in close consultation with the Lingiari family.