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Permanent Recession
Permanent Recession: a Handbook on Art, Labour and Circumstance' is an enquiry into the capitals and currencies of experimental, radical and artist-run initiatives in Australia.00Excavating a shared history of independent practice stretching back to the 1980s, this publication situates new research within a rich continuum of debate about the Australian artmaking context.00Part research, part advocacy document, part literature review, part reader, part position paper, Permanent Recession is a living contribution to current thought. As a handbook, it is a compilation of useful information in a compact and handy form. It should be used!
Hyena! Jackal! Dog!
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Out Here
A remarkable anthology of queer New Zealand voices. We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you're hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn't know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction, and much, much more. From established names to electrifying newcomers, the cacophony of voices brought together in Out Here sing out loud and proud, ensuring that future generations of queers are afforded the space to tell their stories and be themselves without fear of retribution or harm.
Ursula Bethell
Bethell stands with RAK Mason at the beginnings of modern poetry in New Zealand. Born in England, she grew up in New Zealand but did not live there until the 1920's when at the age of fifty she began to write poetry. Her first collection of poems, 'From a Garden in the Antipodes', was published in 1929. Vincent O'Sullivan's introduction takes account of discoveries and insights from the last decade.
I Am a Human Being
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The Interregnum
‘The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear’ – Antonio Gramsci Is New Zealand’s political settlement beginning to fray? And does this mean we’re entering the interregnum, that ambiguous moment between society-wide discontent and political change? In BWB’s latest book of essays, edited by Morgan Godfery, ten of New Zealand’s sharpest emerging thinkers gather to debate the ‘morbid symptoms’ of the current moment, from precarious work to climate change, and to discuss what shape change might take, from ‘the politics of love’ to postcapitalism. The Interregnum interrogates the future from the perspective of the generation who will shape it. Contributors: Andrew Dean, Max Harris, Lamia Imam, Chloe King, Daniel Kleinsman, Edward Miller, Courtney Sina Meredith, Carrie Stoddart-Smith, Wilbur Townsend and Holly Walker.
Leaving the Atocha Station
Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in his...
Choreographing Intersubjectivity in Performance Art
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
