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Zoya Frolova
  • Language: de
  • Pages: 40

Zoya Frolova

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

Zoya Frolova
  • Language: en
  • Pages: 38

Zoya Frolova

  • Type: Book
  • -
  • Published: 2004
  • -
  • Publisher: Unknown

None

Zoya Frolova
  • Language: en
  • Pages: 78

Zoya Frolova

  • Type: Book
  • -
  • Published: 2006
  • -
  • Publisher: Unknown

None

Zoya Frolova
  • Language: de
  • Pages: 40

Zoya Frolova

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

The Imaginary Way to Reality
  • Language: en
  • Pages: 70

The Imaginary Way to Reality

  • Type: Book
  • -
  • Published: 1996*
  • -
  • Publisher: Unknown

None

Zoya Frolova
  • Language: en
  • Pages: 38

Zoya Frolova

  • Type: Book
  • -
  • Published: 2001
  • -
  • Publisher: Unknown

None

Tableaux anciens et modernes - Gravures - Objets d'art et d'ameublement... Sièges et meubles
  • Language: en
  • Pages: 12
Zoya Frolova
  • Language: en
  • Pages: 35

Zoya Frolova

  • Type: Book
  • -
  • Published: 1999
  • -
  • Publisher: Unknown

None

Art of the Baltics
  • Language: en
  • Pages: 502

Art of the Baltics

  • Categories: Art

The Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union, 1956-1986, which comprises nearly twenty thousand works, is part of the Jane Voorhees Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey.

Interpreting Emotions in Russia and Eastern Europe
  • Language: en
  • Pages: 314

Interpreting Emotions in Russia and Eastern Europe

Bringing together important new work by an international and interdisciplinary group of leading scholars, Interpreting Emotions in Russia and Eastern Europe approaches emotions as a phenomenon complexly intertwined with society, culture, politics, and history. The stories in this book involve sensitive aristocrats, committed revolutionaries, aggressive nationalists, political leaders, female victims of sexual violence, perpetrators and victims of Stalinist terror, citizens in the former Yugoslavia in the wake of war, workers in post-socialist Romania, Balkan Romani "Gypsy" musicians, and veterans of the Afghan and Chechen wars. These essays explore emotional perception and expression not only as private, inward feeling but also as a way of interpreting and judging a troubled world, acting in it, and perhaps changing it. Essential reading for those interested in new perspectives on the study of Russia and Eastern Europe, past and present, this volume will appeal to scholars across the social sciences and humanities who are seeking new and deeper approaches to understanding human experience, thought, and feeling.