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Everything is a Lab
This volume is a scrapbook and an experiment. It collects the artifacts, written and otherwise, of a year’s worth of public workshops that put science and technology studies and affect studies together. Through zinemaking, collaging, foraging, fermenting, perfuming, and walking together, we do ordinary science from the kitchen table and work to materialize alternative futures. Putting STS and affect together bolsters literacies for how the world is being made and how we might make it differently.
Passion and Purpose in the Humanities
This book takes readers on a journey into the experiences, struggles and triumphs of early career researchers in the humanities. In the spirit of guiding emerging scholars and researchers in higher education, the edited volume highlights lived experiences of researchers and ways to navigate the struggles and values of research in the humanities. Featuring 20 unique essays by emergent scholars who weave their personal lives into their research passions, this book offers a window into the experience of researchers in both professional and personal developments. The chapters are accompanied by letters of encouragement and advice from senior researchers who reflect on the role that research has ...
Bare Bodies – Thresholding Life
Body – art – performance – philosophy This anthology is dedicated to the theme of bodies – in transition, on thresholds, and at the edges of life. They are discussed in terms of their artistic, political, and existential dimensions. The focus of this artistic-philosophical consideration of the intersection of performance practices and life practices is on processes of emergence, survival, and decay, tracing the emergence of bio- and necropolitics. The book looks at performative (life) cycles and their temporal dimension, emphasizing the moment of dwelling at a threshold or transition, thus spinning a relational textual web. Mariella Greil brings together contributions from the fields of performance, activism, psychoanalysis, and contemporary dance, connecting content and form in a unique way. Following on from the publication Being in Contact: Encountering a Bare Body (2021) A multilayered book with a transparent dust jacket, recycled and transparent paper, inserts, and open thread stitching With contributions by Fiona Bannon, Ashon Crawley, Gurur Ertem, Rebecca Hilton, Pavlos Kountouriotis, and others
Participatory Sound Art
This book addresses a major gap in sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical avant-gardes to the non-institutionalized forms of sonic creativity in contemporary digital culture. In doing so, it proposes an innovative theoretical framework for analysing such phenomena, rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, it focuses on three principal aspects of participatory sound art: the ways the materialities of the artworks facilitate and structure the participatory processes; the interplay of the creative agencies of the artists and the participants; and the postcritical approach to sound art’s politics, unfolding through the participants’ affective gestures. In considering these multiple dimensions, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art.
The Transnational Condition
During the last two decades Europe has experienced a rise in transnational contention. Citizens are crossing borders to advance alternative visions of Europe. They spread protest concepts and tactics and explore new ways of organizing dissent. Far from being a recent phenomenon, transnational protest is obviously more salient in a world of international corporations and global political interaction, compounded by electronic communication and cheap travel. The transnational condition permeates all aspects of protest organization and dynamics - from individual biographies to activist networks to cycles of contention. The contributors offer insight into this multifaceted condition by combining rich empirical evidence with reflections on the problems of transnational research.
Drawing Room
Drawing Room explores architecture as a consequence of its media in the post-digital realm in which the novelty of digital drawing has been superseded by the creative potential found in diverse methods of drawing — spanning the analogue to the virtual. Drawing Room suggests speculative drawing practices that sit beside architectural professional practice, yet feed into it, highlighting the rapidly changing way architects draw and visualise their designs.
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Writing Choreography
A new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts. Through the contributions of 15 dance–artists, choreographers, dramaturges, writers, interdisciplinary artists and artist–researchers, the volume highlights diverse textual choreographic processes and outcomes arguing for their relevance to present-day practices of expanded choreography. The anthology introduces some Western trends related to utilizing writing, text and language in choreographic processes. In its focus on art-mak...
