Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Museum Highlights
Essays, criticism, and performance scripts written between 1985 and 2003 by an artist whose artistic practice investigates and reveals the social structures of art and its institutions.
Andrea Fraser
Edited by Yilmaz Dziewior.
Exhibition
American artist Andrea Fraser's energetic parodies of the art world seem like stand-up comedy, whether she's doing her own wacky take on a docent talk or engaging in an erotic encounter with the Guggenheim Bilbao. But her sometimes-hilarious performances address serious issues, like the relationship between an art institution and its visitors, or the meaning of "education" in a museum. Includes multiple video frames and transcripts of four works performed at the Belkin Gallery at the University of British Columbia.
Andrea Fraser
"This catalogue was developed to accompany an extensive exhibition of works by North American artist Andrea Fraser at the Museum der Moderne Salzburg. ... With this, the first major exhibition of her work at an Austrian institution, and the accompanying catalogue, we have sought to offer a comprehensive review of her practice."--Introduction.
Andrea Fraser
This publication is a substantial archive and a singular point of entry into thinking with and understanding Andrea Fraser's work and reception. The interview format provides intimate insight into Fraser's self-positioning as a central aspect of her practice. By presenting the artist's voice as mediated through interlocutors ranging from professional peers to popular media, 'Collected Interviews, 1990-2018' uniquely contextualizes Fraser's practice in the artistic, institutional, and discursive fields in which she intervenes. As Fraser is engaged, challenged, and understood from diverse perspectives, readers learn as much about her artistic commitments from the artist's humor and affect as from her incisive analyses. The collection spans three decades, from the early 1990s to the present, and is organized chronologically with minimal editing. The collection's unmediated format allows Fraser's key ideas and themes to attain deeper resonance through repetitions and subtle differentiations over multiple conversations.
Andrea Fraser
None
Andrea Fraser
None
Andrea Fraser
Andra Fraser (b. Montana, 1965) It is one of the most proactive and influential artistof her generation. She has pioneered a practice characterized by critical reflexivity, which has contributed to a greater awareness in the field of art. Rather than deepen the knowledge of art institutions, research intended to stimulate reflective criticism of others. art. "L'1%, c'est moi" is the first monographic exhibition of Fraser in Mexico and brings together a selection of works made along more than thirty years of critical practices, from early works on paper based in the appropriation, guided visits and performances of multiple voices, to installations to textual and documentation based works.
Andrea Fraser
Andra Fraser (b. Montana, 1965) It is one of the most proactive and influential artistof her generation. She has pioneered a practice characterized by critical reflexivity, which has contributed to a greater awareness in the field of art. Rather than deepen the knowledge of art institutions, research intended to stimulate reflective criticism of others. art. "L'1%, c'est moi" is the first monographic exhibition of Fraser in Mexico and brings together a selection of works made along more than thirty years of critical practices, from early works on paper based in the appropriation, guided visits and performances of multiple voices, to installations to textual and documentation based works.
Institutional Critique and After
« Institutional critique and after explores the history and contemporary reassessment of the Institutional Critique movement lauched in the late 1960s, redeveloped in the 1980s, and vigorously reoriented in recent years to address issues such as globalization. In this publication, the histories, theories, diverse locations, and different kinds of institutional alternative space are investigated, looking at traditional forms of art but also at installation, performance, new media practices, and cultural activism. Its central questions turn on the critical potential of art (and institutions) and whether–and if so how–they can stimulate social or political change. »--
