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In the recent cultural heritage boom, community-based and national identity projects are intertwined with interest in cultural tourism and sites of the memory of enslavement. Questions of historical guilt and present responsibility have become a source of social conflict, particularly in multicultural societies with an enslaving past. This became apparent in the context of the Black Lives Matter movement in 2020, when statues of enslavers and colonizers were toppled, controversial debates about streets and places named after them re-ignited, and the European Union apologized for slavery after the racist murder of George Floyd. Related debates focus on museums, on artworks acquired unjustly i...
'ORLAN' is a study of ORLAN's pioneering art. The book covers her entire career in performance and a range of other art forms. It describes and analyses her various innovative uses of the body as artistic material.
The individualism of the French peasantry during the nineteenth century has frequently been asserted as one of its most striking characteristics. In this 1999 book, Alan Baker challenges this orthodox view and demonstrates the extent to which peasants continued with traditional, and developed new, forms of collective action. He examines representations of the peasantry and discusses the discourse of fraternity in nineteenth-century France in general before considering specifically the historical development, geographical diffusion and changing functions of fraternal voluntary associations in Loir-et-Cher between 1815 and 1914. Alan Baker focuses principally upon associations aimed at reducing risk and uncertainty and upon associations intended to provide agricultural protection. A wide range of new voluntary associations were established in Loir-et-Cher - and indeed throughout rural France - during the nineteenth century. Their historical geography throws new light upon the sociability, upon the changing mentalités, of French peasants, and upon the role of fraternal associations in their struggle for survival.
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
The Huguenots are among the best known of early modern European religious minorities. Their suffering in 16th and 17th-century France is a familiar story. The flight of many Huguenots from the kingdom after 1685 conferred upon them a preeminent place in the accounts of forced religious migrations. Their history has become synonymous with repression and intolerance. At the same time, Huguenot accomplishments in France and the lands to which they fled have long been celebrated. They are distinguished by their theological formulations, political thought, and artistic achievements. This volume offers an encompassing portrait of the Huguenot past, investigates the principal lines of historical development, and suggests the interpretative frameworks that scholars have advanced for appreciating the Huguenot experience.
The Gift tells the story of one silver ceremonial sword offered as a gift by French traders to an African agent, and reveals how prestigious gifts shaped the trade of enslaved Africans. This compelling account will interest historians of slavery and material culture.
"The world's first book on the Greatest Spirit Artists and Medium Painters of all Time. Published by Times Square Press and the American Federation of Certified Psychics and Mediums, New York. Everything you need to know about psychic artists, their world, their spirit portraits, their techniques, their styles, and how they communicate with the Spirit world."--Publisher's description.
"Why should we take into account the history of reception in biblical methods? It is because as exegetes we have no choice. Recognizing our dependence on interpretations of the past is not a new method, but it is the very way we understand texts. Régis Burnet shows how this allows us to put our current interpretations into perspective, but also to dialogue with those of the past." --
EARLY & CONTEMPORARY SPIRIT ARTISTS, PSYCHIC ARTISTS AND MEDIUM PAINTERS FROM 5,000 B.C. TO THE PRESENT DAY. ECONOMY EDITION V1, from a set of 2 volumes. Published by Times Square Press, New York. On the cover: Dutch Spirit Artist, Angelique van Bezouwen. History, Study, Analysis. Scientifical, Psychological, Philosophical, Artistical, and Metaphysical Study of Mediumship in Art. Also available in deluxe edition/Museum edition in 2 volumes, printed on glossy and heavy stock paper. This is a world's premiere; the first encyclopedic book on this subject, ever published. Authoritative, comprehensive, documented, fully illustrated, and rich in content, analyses, historical presentation, and comparative studies of all the facets and genres of Spirit Art, Psychic Art, and Mediumistic Art. Including roster of bona fide Spirit/Psychic Artists from around the world. A true treasure. For more information, contact Marla Cohen at newyorkgate@aol.com