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You'll Like it Here
You'll Like it Here is a haunting bricolage, divided into three parts, that excavates the forgotten history of Redondo Beach in the early 1900’s through old news clippings, advertisements, recipes and other ephemera that speak to the ills of male stoicism, industrialization and capitalism, and environmental displacement. Ashton used digital archives from the Redondo Reflex and other city adjacent newspapers as the basis for his surrealist account, masterfully tracing this larger shift away from coastal maritime repose in the wake of the Spanish Flu, the Great Depression, and World War II through momentary fragments that feel as real and palpable as they do transient, mythological, and stra...
We'll Never Have Paris
Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one ...
Heartbreaker
A missing mother. An isolated community. Three storytellers you will never forget. 'A dark star of a book' LAUREN GROFF In subzero temperatures, mother Billie Jean Fontaine walks out of her bungalow barefoot, takes her husband's truck and drives off into the wilderness alone.She never returns. But no one ever leaves The Territory, a community cut off from the rest of the world, a place warped by its own strange ways where the people believe the year is 1985. Here they live by their own rules - until this woman breaks them. Through the eyes of her unforgettable daughter, Pony Darlene, Billie Jean's violently loyal dog and a watchful teenage boy, Heartbreaker shines an electrifying light on a ...
Street of Dreams
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Noon 2021
NOON is a literary annual. According to the New York Times, NOON is "erudite, elegant and stubbornly experimental." This year's features include fiction by Souvankham Thammavongsa, 2020 Giller Prize winner; the first and only published fiction by British psychoanalyst and essayist Adam Phillips; journal entries from Lydia Davis; and other stories by acclaimed and emerging voices.
The Revolutionaries Try Again
Extravagant, absurd, and self-aware, The Revolutionaries Try Again plays out against the lost decade of Ecuador's austerity and the stymied idealism of three childhood friends—an expat, a bureaucrat, and a playwright—who are as sure about the evils of dictatorship as they are unsure of everything else, including each other. Everyone thinks they're the chosen ones, Masha wrote on Antonio's manuscript. See About Schmidt with Jack Nicholson. Then she quoted from Hope Against Hope by Nadezhda Mandelstam, because she was sure Antonio hadn't read her yet: Can a man really be held accountable for his own actions? His behavior, even his character, is always in the merciless grip of the age, whic...
Worsted
Fiction. WORSTED is a collection of fourteen new stories (214 pages) by the author of The Complete Gary Lutz. Some excerpts appeared in Chicago Review, Lake Effect, and South Carolina Review, as well as online at Hobart, Post Road, and Southwest Review.
Body High
Jon Lindsey's controversial debut, BODY HIGH, squirts across the sunburned landscape of Southern California, taking readers on a debauched, high-speed journey of misplaced lust, mistaken fathers, lost semen, and the kidnapping of a sperm bank daughter, who may hold the key to redemption or, perhaps, the realization of its impossibility. // "Jon Lindsey is the new gleefully heartbreaking voice of California's broken world... [Body High] unfolds in rioting prose that bursts into crazed poetry around every curve..."-GARIELLE LUTZ, author of Worsted
Their Four Hearts
In many respects, Their Four Hearts is a book of endings and final things. Vladimir Sorokin wrote it in the year the Soviet Union collapsed and then didn’t write fiction for ten years after completing it––his next book being the infamous Blue Lard, which he wrote in 1998. Without exaggerating too much, one might call it the last book of the Russian twentieth century and Blue Lard the first book of the Russian twenty-first century. It is a novel about the failure of the Soviet Union, about its metaphysical designs, and about the violence it produced, but presented as God might see it or Bataille might write it. Their Four Hearts follows the violent and nonsensical missions carried out b...
Space Struck
This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “...the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “...even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.”
