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The Creative Writing MFA Handbook
Guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This handbook includes special sections about Low-Residency writing programs, PhD programs, publishing in literary journals, and workshop and teaching advice.
Everything Change
A collection of short stories by writers from around the world, exploring the climate crisis and how human responses to it will shape the futures we will inhabit. Featuring stories in styles ranging from science fiction and fabulism to literary fiction, weird fiction, and action-thriller, all drawn from the 2020 Everything Change Climate Fiction Contest. The contest and anthology are presented by the Imagination and Climate Futures Initiative at Arizona State University, a partnership of the Center for Science and the Imagination and the Virginia G. Piper Center for Creative Writing.
AWP Catalogue of Writing Programs
New and revised information on workshop and degree programs in creative writing offered at 251 United States and five Canadian colleges is contained in this catalogue. Entries on each institution provide the following: (1) information about the degree offered and about the required course of study, including thesis requirements, number of hours needed in workshop courses, independent study, and literature courses; and (2) a narrative description of the general program, including information about admission requirements, faculty members and their publications, and names and addresses of people to write for more information about the program. (MKM)
Invitation to a Bonfire
1930s America: Zoya Andropova, a young Russian refugee, finds herself in an elite New Jersey boarding school. Having lost her family, her home and her sense of purpose, Zoya struggles to belong, a task made more difficult by her new country's paranoia about Soviet spies. When she meets charismatic fellow Russian emigre Leo Orlov, whose books Zoya has obsessed over for years, everything seems to change. But she soon discovers that Leo is bound by the sinister orchestrations of his brilliant wife, Vera, and that their relationship is far more complex than Zoya imagined.
The Only Pirate at the Party
Dancing electronic violinist Lindsey Stirling shares her unconventional journey in an inspiring memoir filled with the energy, persistence, and humor that have helped her successfully pursue a passion outside the box. A classically trained musician gone rogue, Lindsey Stirling is the epitome of independent, millennial-defined success: after being voted off the set of America’s Got Talent, she went on to amass more than ten million social media fans, record two full-length albums, release multiple hits with billions of YouTube views, and to tour sold-out venues across the world. Lindsey is not afraid to be herself. In fact, it’s her confidence and individuality that have propelled her int...
Creative Writing in the Community
Creative Writing in the Community is the firstbook to focus on the practical side of creative writing. Connecting classroomexperiences to community-based projects, it prepares creative writing studentsfor teaching in schools, homeless centres, youth clubs and care homes. Each chapteris packed with easy-to-use resources including: specific lesson plans; case studies of students working with community groups; lists of suitable writing examples; "how to..." sections; examples and theoretical applications of creative writing pedagogy and techniques; reflection questions; writings by workshop participants. Enhanced by contributions from directors,students and teachers at successful public programs, Creative Writing in the Community is more than an essential guidefor students on creative writing courses and leaders of community-basedlearning programs; it is practical demonstration of the value of art insociety.
When My Brother Was an Aztec
FROM THE WINNER OF THE 2021 PULITZER PRIZE IN POETRYWhen My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.Stolen cowboy boots, violins on fire; a mariachi band playing in the bathroom, a black bayonet carried between the shoulder blades; the beauty of busted fruit, the sight of hellish visions - Diaz both revels and reveals through her distinctive use of language and imagery, bringing to life every intimate and communal encounter, blooming abundance from scarcity. The result is a wrenching portrayal of sacrifice, want, despair and fortitude that feels truly transformative.
