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This work represents Professor Wasserman’s valuable contribution to the legacies of both August Stramm and Maria Berl-Lee. Just because they are no longer alive it does not mean that a vital part of their lives—namely, their writings—should not be passed on in some form, thereby giving successive generations of readers an opportunity to appreciate their stirring poetry. And certainly the poems of both Stramm and Berl-Lee deserve to be appreciated for they provide all readers with some extremely sobering lessons. First, there are the painful poetic reminders from Stramm concerning the dire consequences of World War One; and then we read about the unforgettable horrors and awful results of the Anschluss made quite clear by Berl-Lee’s poetic observations.
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The great German Expressionist poet and playwright August Stramm (1874-1915) wrote only two books of poetry before his death in World War I. These proto-Dadaist poems represent his finest works. "Night / Moans / From the kisses."
New essays examining the complex period of rich artistic ferment that was German literary Expressionism.
The First World War changed the map of Europe forever. Empires collapsed, new countries were born, revolutions shocked and inspired the world. This tumult, sometimes referred to as 'the literary war', saw an extraordinary outpouring of writing. The conflict opened up a vista of possibilities and tragedies for poetic exploration, and at the same time poetry was a tool for manipulating the sentiments of the combatant peoples. In Germany alone during the first few months there were over a million poems of propaganda published. We think of war poets as pacifistic protestors, but that view has been created retrospectively. The verse of the time, particularly in the early years of the conflict-in ...
Traces literary developments in the German-speaking countries from 1900 to the present. This study of German literature in the past hundred years sets its subject clearly in the artistic and political context of developments in Western Europe during the century. It begins with the turn-of-the-century aestheticism andvisions of decay led by Schnitzler, Hofmannsthal and other Austrian writers, and the quite different explosion of new artistic energy in the Expressionist and Dada movements. These movements are succeeded by the rise of Modernism, culminating in the inter-war years: the poetry of Rilke, Brecht's epic theatre, and novels by Thomas Mann, Kafka, Hesse, Musil, Doblin and Broch; the influence of Nazism on literary production is considered. The study of developments after 1945 reflects the struggle to establish a post-Holocaust literature and to deal with the questions posed by the political division of Germany. Finally, the convergence of East and West German literature after unification is addressed. Ingo R. Stoehr teaches literature at Kilgore College, Texas, and is editor of the bilingual journal of German literature in English translation, Dimension2.
What is War Poet Poetry written on battle is referred to as "war poetry." Even though the phrase is most commonly used to refer to works that were written during the First World battle, it may also be used to refer to poetry that was written about any battle. This includes Homer's Iliad, which was written around the eighth century BC, as well as poetry written about the American Civil War, the Spanish Civil War, the Crimean War, and additional wars. There are two types of war poets: soldiers and noncombatants. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War poet Chapter 2: Ossian Chapter 3: Bard Chapter 4: Eisteddfod Chapter 5: Irish poetry Chapter 6: Aisling Chapter 7: Brian Merriman Chapter 8: Alasdair mac Mhaighstir Alasdair Chapter 9: August Stramm Chapter 10: Iain Lom (II) Answering the public top questions about war poet. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Poet.
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.