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From the Silk Road
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On the Walls and in the Streets
James Sullivan presents a brief history of American poetry broadsides from the seventeenth through twentieth centuries. He then explores the extensive use of the broadside during one era, the 1960s, showing how it refigured the poetry of Gwendolyn Brooks, Robert Lowell, Allen Ginsberg, and others and situating it for specific cultural uses within the social and political struggles of the times. Sullivan's introduction lays out the project's theoretical groundwork in the cultural studies movement and surveys the history of the broadside in North America since the advent of printing.
The Book as Art
Artists' books have emerged over the last 25 years as the quintessential contemporary art form, addressing subjects as diverse as poetry and politics, incorporating a full spectrum of artistic media and bookmaking methods, and taking every conceivable form. Female painters, sculptors, calligraphers, and printmakers, as well a growing community of hobbyists, have played a primary role in developing this new mode of artistic expression. The Book as Art presents more than 100 of the most engaging women's artist books created by major fine artists such as Meret Oppenheim, May Stevens, Kara Walker, and Renee Stout and distinguished book artists such as Susan King, Ruth Laxson, Claire Van Vliet, a...
Hand Papermaking
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Ralph M. Pearson
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Made in L.A.
Artwork by John Baldessari, Chris Burden. Contributions by Bruce Davis.
Rendezvous
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By His Own Labor
This book is the first comprehensive work about all facets of the Dard Hunter life. It has captured the essence of Hunter, his world, and his vision. He was a unique blend of craftsman and scholar. He was not only a designer in the Arts & Crafts Movement in the early decades of this century, but also a private press printer, paper historian, author, collector, and museum director. He traveled the world between the two world wars collecting tools, equipment, raw materials, and paper specimens, which now comprise the Dard Hunter Research Center at the Robert C. Williams American Museum of Papermaking in Atlanta, Georgia.
