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The Music of Joseph Joachim
Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be thestandard work on the music of Joseph Joachim for many years to come.
Investigative Urology 3
The first symposium of the working group on experimental urology of the German Society of Urology was held in Cologne in 1972. It was meant to be a platform to present and, in particular, to discuss experimental studies developing new diagnostic and therapeutic approaches, and to promote in novation in urology in Germany. This plan was well received, and during the last 16 years both the number of participants from other European and overseas countries and the number and quality of presentations have been continuously increasing. At the most recent meeting, held in Aachen in 1988, new data were presented on renal cell cancer, andrology, prostatic cancer and adenoma, bladder cancer, urinary d...
Joachim Du Bellay
"A splendid achievement, faithful, elegant, and, above all, user-friendly, this book will be welcomed with cheers by all Anglophone students of European poetry. It has no rival."—Timothy Hampton, University of California, Berkeley
The Creative Worlds of Joseph Joachim
Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches.Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life. This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian verna...
A Companion to Joachim of Fiore
Joachim of Fiore (c.1135-1202) remains one of the most fascinating and enigmatic figures of medieval Christianity. In his own time, he was an influential advisor to the mighty and powerful, widely respected for his prophetic exegesis and decoding of the apocalypse. In modern times, many thinkers, from Thomas Müntzer to Friedrich Engels, have hailed him as a prophet of progress and revolution. Even present-day theologians, philosophers and novelists were inspired by Joachim’s vision of a Third Age of the Holy Spirit. However, at no time was Joachim an uncontroversial figure. Soon after his death, the church authorities became suspicious about the explosive potential of his theology, while more recently historians held him accountable for the fateful progressivism of Western Civilization. Contributors are: Frances Andrews, Valeria De Fraja, Alfredo Gatto, Peter Gemeinhardt, Sven Grosse, Massimo Iiritano, Bernard McGinn, Matthias Riedl, and Brett Edward Whalen.
Abbot Joachim of Fiore and Joachimism
In the articles included in this collection, Professor Daniel argues that Abbot Joachim of Fiore was a disciple of Bernard of Clairvaux whose tertius status was reformist, not millenialist. Like the other reformists, Gerhoch of Reichersberg and Hildegard of Bingen, Joachim looked forward to the coming of a thoroughly reformed, holy church to be achieved in the near future by reform of the episcopate and the clergy. The status of the Holy Spirit was the culmination of the preceding status, not a radically new beginning. Apocalypticism in both its reformist and in its imperialist versions was part of the mainstream, despite the efforts of the schoolmen to suppress it. The author also sheds significant new light on apocalyptic thinking in the mid-fourteenth century with a thorough analysis of Henry of Kirkstede's vade mecum, Cambridge Corpus Christi 404 and his first edition of Henry's De antichristo et de fine mundi. This study, and three others, are published here for the first time.
