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Death in the Theatre
"A richly entertaining account of tragic theatre accidents and murders most foul. If theatre walls could talk, what secrets would they reveal? Chris Wood provides fascinating answers with tales of brawling ushers, murderously jealous husbands, stampeding crowds and infant tragedies. A meticulously researched and vivid collection of lives lost in the palaces of dreams. A must-read for all lovers of the theatre, providing shocks and gasps of horror when real life proves to be more dramatic than any play on stage." - Hugh Bonneville "Immaculately researched and beautifully macabre. This is a real treat for anyone who is either a fan of the theatre or of untimely deaths. I loved it!" - Peter Jam...
Death in Modern Theatre
Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
Theater of the Dead
In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb ...
Theatre and Death
This new title in the Theatre And series confronts the complex relationship between theatre and death. Taking the position that all humans need to 'live' with the reality of death, Mark Robson draws on a range of examples, from Greek theatre to contemporary practitioners, in order to testify to the potency of both theatre and death in contemporary culture. Striking and thought-provoking, this book is ideal for undergraduate and postgraduate students of theatre and performance, or English literature students with an interest in tragedy.
Last Acts
Last Acts argues that the Elizabethan and Jacobean theater offered playwrights, actors, and audiences important opportunities to practice arts of dying. Psychoanalytic and new historicist scholars have exhaustively documented the methods that early modern dramatic texts and performances use to memorialize the dead, at times even asserting that theater itself constitutes a form of mourning. But early modern plays also engage with devotional traditions that understand death less as an occasion for suffering or grief than as an action to be performed, well or badly. Active deaths belie narratives of helplessness and loss through which mortality is too often read and instead suggest how marginal...
Death, the One and the Art of Theatre
The latest collection of Barker's philosophical musings on theatre, this volume includes speculations, deductions, prose poems & poetic apercus, which cast a unique light on the nature of tragedy, eroticism, love & theatre.
Last Acts
Last Acts: The Art of Dying on the Early Modern Stage shows how theater reflects, enables, and contests the politicization of life and death. The book analyzes representations of dying in plays by writers including Marlowe, Shakespeare and Jonson, alongside devotional texts and contemporary biopolitical theory.
Death at the Theatre
London, 1932. Kitchen maid, Joan Hart, and lady's maid, Verity Hunter, intend to enjoy their trip to the theatre, especially as Verity's uncle Tommy is one of the leading men in the play. Unfortunately, Act Two of the play is curtailed when the lights come up in the interval, and the girls realise a man has been stabbed to death almost under their very noses.The case reunites the servant sleuths with their old ally, Detective Inspector Marks, and whilst the girls do their best to solve the case whilst keeping their jobs, the glitter and glamour of the theatre may prove to be as dangerous as any battlefield...Death at the Theatre is the second book in the historical mystery series, Miss Hart and Miss Hunter Investigate, from crime writer Celina Grace, author of the bestselling Kate Redman Mysteries and The Asharton Manor Mysteries.
Death of England: Delroy
Me jumping out of the van, was the beginning of a very bad day for me. I just didn't know it, but I was going to know it, in about four minutes, I was going to know, fer trut. 2020. Delroy is arrested on his way to the hospital. Filled with anger and grief, he recalls the moments and relationships that gave him hope before his life was irrevocably changed. Written in response to their play Death of England, Death of England: Delroy is a new standalone work by Clint Dyer and Roy Williams, which follows a Black working-class man searching for truth and confronting his relationship with White Britain. This edition was published to coincide with the world premiere of Death of England: Delroy, at the National Theatre in 2020. The production was the first play to reopen the theatre following the Coronavirus pandemic.
