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Irish Moves
This book showcases the stories of Ireland's unsung movers: actors, dancers, choreographers, playwrights, directors, and the few academics who dare to go where no words have gone before.
Orientalism, Orientation, and the Nomadic Work of Pina Bausch
This book analyses the Tanztheater Wuppertal in the light of Edward Said's theory of Orientalism. Deirdre Mulrooney does this by examining how Pina Bausch and her company negotiate foreign cities in Viktor, Palermo Palermo, Tanzabend 2, 1991, and Ein Trauerspiel. Mulrooney makes these four scriptless productions available for academic investigation by transcribing them and taking them as a paradigm for Bausch's entire oeuvre. She thus illustrates how Pina Bausch has developed a transformative theatrical language which cultivates a new way of looking at the world.
Dance and Modernism in Irish and German Literature and Culture
A collection of scholarly articles and essays by dancers and scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.
Imagining Gender in Biographical Fiction
This volume addresses the current boom in biographical fictions across the globe, examining the ways in which gendered lives of the past become re-imagined as gendered narratives in fiction. Building on this research, this book is the first to address questions of gender in a sustained and systematic manner that is also sensitive to cultural and historical differences in both raw material and fictional reworking. It develops a critical lens through which to approach biofictions as ‘fictions of gender’, drawing on theories of biofiction and historical fiction, life-writing studies, feminist criticism, queer feminist readings, postcolonial studies, feminist art history, and trans studies. ...
Theatre Stuff
Essays on contemporary Irish theatre
New Makers of Modern Culture
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of ...
Border States in the Work of Tom Mac Intyre
This work analyses the prose and drama of the Irish writer Tom Mac Intyre and the concept of paleo-postmodernism. It examines how Mac Intyre balances traditional themes with experimentation, which in the Irish literary canon is unusual. This book argues that Mac Intyre’s position in the Irish literary canon is an idiosyncratic one in that he combines two contrary aspects of Irish literature: between what Beckett terms as the Yeatsian ‘antiquarians’ who valorize the ‘Victorian Gael’ and the ‘others’ whose aesthetic involves a European-influenced ‘breakdown of the object’ which is associated with Beckett. Mac Intyre’s experimentation involves a breakdown of the object in order to uncover an unconscious Irish mythological and linguistic space in language. His approach to language experimentation is Yeatsian and this is what the author terms as paleo-postmodern. Thus the project considers how Mac Intyre incorporates Yeatsian revivalism with postmodern deconstruction in his drama and short stories.
Theatre Talk
Interviews with Irish theatre practitioners
Dancing at the Crossroads
Dancing at the crossroads used to be young people ́s opportunity to meet and enjoy themselves on mild summer evenings in the countryside in Ireland - until this practice was banned by law, the Public Dance Halls Act in 1935. Now a key metaphor in Irish cultural and political life, ́dancing at the crossroads ́ also crystallizes the argument of this book: Irish dance, from Riverdance (the commercial show) and competitive dancing to dance theatre, conveys that Ireland is to be found in a crossroads situation with a firm base in a distinctly Irish tradition which is also becoming a prominent part of European modernity. Helena Wulff is Associate Professor of Social Anthropology at Stockholm University. Publications include Twenty Girls (Almqvist & Wiksell International, 1988), Ballet across Borders (Berg, 1998), Youth Cultures (co-edited with Vered Amit-Talai, Routledge, 1995), New Technologies at Work (co-edited with Christina Garsten, Berg, 2003). Her research focusses on dance, visual culture, and Ireland.
Sinéad O'Connor: The Last Interview
A significant collection of interviews with the defiant, controversial, and ground-breaking singer, songwriter, and activist throughout her turbulent career . . . “It’s not like I got up in the morning and said, ‘Okay, now let’s start a new controversy’.” -- Sinéad O’Connor Sinéad O'Connor’s music — both in her songwriting and in her beautiful voice —addressed both emotional despair and incandescent joy with glorious ardor. But she may have been just as well known for her outspokenness. This collection of interviews covers the entire span of O'Connor's career, from the early days to her last interview. From giddy teenager to seasoned superstar, she speaks candidly about her meteoric rise to fame, and recounts what happened when she ripped up a photo of Pope John Paul II on live television in an act of protest. Unguarded and unpredictable, O'Connor was a woman who electrified the globe: imaginative, opinionated, and eloquent.
