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Roomscape
Examines the Reading Room of the British Museum using documentary, theoretical, historical, and literary sources Roomscape explores a specific site - the Reading Room of the British Museum - as a space of imaginative potential in relation to the emergence of modern women writers in Victorian and early twentieth-century London. Drawing on archival materials, Roomscape is the first study to integrate documentary, historical, and literary sources to examine the significance of this space and its resources for women who wrote translations, poetry, and fiction. This book challenges an assessment of the Reading Room of the British Museum as a bastion of class and gender privilege, an image establi...
Controvento
Questa è una raccolta di poesie, maturata nel tempo. Alcune sono di epoca adolescenziale, altre scritte in età più matura. Vogliono essere un inno alla Vita, seppur a volte con toni scuri, nel dolore e pennellate di luce, quando la gioia si affaccia, imprevedibile, nei nostri giorni. Donatella Bibi è Proficiency alle Camere di Commercio Inglese e Francese. Bilingue Italiano/Inglese, ha conseguito il Master in Tourist Management presso una prestigiosa scuola sita in Roma. Proviene da grandi Compagnie Aeree e ambienti Legali Internazionali ed ha vissuto a lungo a Roma, in Sardegna ed in Germania. I suoi viaggi e le sue esperienze di vita, a volte a tinte forti, si traducono sin da bambina ...
Doris the duckling
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Foreign Women Authors under Fascism and Francoism
This collection of essays highlights cultural features and processes which characterized translation practice under the dictatorships of Benito Mussolini (1922-1940) and Francisco Franco (1939-1975). In spite of the different timeline, some similarities and parallelisms may be drawn between the power of the Fascist and the Francoist censorships exerted on the Italian and Spanish publishing and translation policies. Entrusted to European specialists, this collection of articles brings to the fore the “microhistory” that exists behind every publishing proposal, whether collective or individual, to translate a foreign woman writer during those two totalitarian political periods. The nine chapters presented here are not a global study of the history of translation in those black times in contemporary culture, but rather a collection of varied cases, small stories of publishers, collections, translations and translators that, despite many disappointments but with the occasional success, managed to undermine the ideological and literary currents of the dictatorships of Mussolini and Franco.
La Madre Perduta
Tenero e disperato "La Madre Perduta" è un inno alla vita, al lungo percorso delle relazioni tra madri e figlie, nelle storie intersecate a volte più tranquille, a volte sconvolgenti, degli accadimenti nel femminile più sacro e misterioso, della vita e delle sue sfide silenti o a volte palesi. L'autrice ripercorre alcuni eventi salienti della vita, dedicando uno spazio alla fiaba, dove la fiaba accarezza la realtà rimanendo nella fantasia. Un libro dedicato, dove salute e malattia, guarigione e speranza si incontrano e si avvicendano nei sentieri tortuosi, a volte eleganti, del lungo, seppur breve, scorrere di momenti misteriosi. Luce e verità accarezzano gli antri e le clessidre dove i...
Karin Michaëlis’ Bibi books
Karin Michaëlis (1872–1950) was one of the most important Danish authors of the early 20th century and achieved enormous international success with her Bibi books about the life and adventures of a free-spirited Danish girl named Bibi. The series was not particularly popular in the author’s native country, however. This book unravels the intricate reasons behind the strikingly asymmetrical reception of the Bibi series at home and abroad while at the same time deconstructing this homeabroad dichotomy by showing that the Bibi books are an example of transnational children’s literature. They did not have their “home” in Denmark in that Karin Michaëlis wrote them specifically for foreign publishers, first and foremost the German Herbert Stuffer. The book further argues that the Danish texts are rewritings rather than originals and explores some of the salient textual features of the Danish and German Bibi books. Finally, it examines the series’ reception by young Italian readers in Fascist Italy and Karin Michaëlis’ Italian translator.
Bibi
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Bibi
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Fliporama
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